Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.

Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.

Based on extensive range of Polish, British, German, Jewish and Ukranian primary and secondary sources, this work provides an objective appraisal of the inter-war period. Peter Stachura demonstrates how the Republic overcame giant obstacles at home and abroad to achieve consolidation as an independent state in the early 1920s, made relative economic progress, created a coherent social order, produced an outstanding cultural scene, advanced educational opportunity, and adopted constructive and even-handed policies towards its ethnic minorities. Without denying the defeats suffered by the Republic, Peter Stachura demonstrates that the fate of Poland after 1945, with the imposition of an unwanted, Soviet-dominated Communist system, was thoroughly undeserved.

Poland, 1918-1945 is a challenging, revisionist analysis and interpretation, supported by documentary evidence, of a crucial and controversial period in Poland's recent history

Reconstruction of the climate variability of the past 500 years is a topic of great scientific interest not only in global terms, but also at regional and local levels. This period is interesting on account of the increasing influence of anthropogenic forcing and its overlap with natural factors. The Polish Climate in the European Context: An Historical Overview summarises the results of research into climate variability based on a combination of instrumental, documentary, dendrochronological and borehole data from Poland. The first part of the book provides a Central European perspective of research in these fields, which forms the general background for a presentation of the state of the art of climatic change studies in Poland during the past 500 years (Part 2). This is followed by a selection of papers dealing mainly with different aspects of climate variability in Poland and Central Europe (Part 3). "This book is a valuable tool integrating Polish, Central and Eastern European climate research into the global context. It is, as such, a must for climate researchers worldwide." (Gaston Demarée, Royal Meteorological Institute of Belgium) "This volume marks a significant step forward in our understanding of European climatic history." (Christian Pfister, University of Bern)