A nineteenth century Russian literature classic that “can still make new readers laugh and gasp with recognition over timeless human foibles.” (The Guardian) An Ordinary Story describes the coming of age of Alexander Aduyev, a romantic young man from the provinces who moves to Petersburg in search of love and a career. Psychologically acute in its delineation of Aduyev’s relationship with his successful and unsentimental mentor uncle, this is a work of complexity and great charm. Featuring a stage adaptation, this edition of An Ordinary Story will enhance Goncharov’s reputation as one of the legends of Russian literary history. “The conversations between Alexander and his uncle are witty and gripping, the various love affairs poignant and credible, several minor characters are deliciously comic, and the whole book well worth rediscovery.” —The Washington Post

Grief is universal, permeating all avenues of life on planet earth; no one can escape it. Pain and sorrow come in all different shapes and sizes. An Ordinary Story of Extraordinary Hope accepts that life is hard. It explores the full scope of grief issues to proclaim that grace and hope are stronger than the hardness of life; grace and hope are saturated with redemptive power. The book illustrates how those times of heartache result in growth that shapes our character and perspective. It teaches that it's our response to grief that determines whether growth will be positive or negative. An Ordinary Story of Extraordinary Hope provides true-life narrative tied to Scripture to describe God's presence in the midst of painful circumstances. It demonstrates that over time God uses both positive and negative experiences to accomplish his purposes in our lives. Its testimony to perseverance is an encouragement to others on their faith journey.

From the author of Dear Scarlet comes a graphic memoir about the obstacles one daughter faces as she attempts to connect with her immigrant parents Beginning with her mother's stroke in 2014, Teresa Wong takes us on a moving journey through time and place to locate the beginnings of the disconnection she feels from her parents. Through a series of stories—some epic, like her mother and father's daring escapes from communes during China's Cultural Revolution, and some banal, like her quitting Chinese school to watch Saturday morning cartoons—Wong carefully examines the cultural, historical, language, and personality barriers to intimacy in her family, seeking answers to the questions "Where did I come from?" and "Where are we going?" At the same time, she discovers how storytelling can bridge distances and help make sense of a life. A book for children of immigrants trying to honor their parents' pasts while also making a different kind of future for themselves, All Our Ordinary Stories is poignant in its understated yet nuanced depictions of complicated family dynamics. Wong's memoir is a heartfelt exploration of identity, inheritance, and the refugee experience, as well as a testament to the transformative power of stories both told and untold. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

The best-known work by the 19th century Russian novelist about a man who lacks willpower and self-confidence.

In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

The ordinary things of life receive less than their fair share of attention. Pastor Mark Goodman draws attention, through humor, story, and scriptural texts, to the benefits of appreciating more than just extraordinary achievements. When a person ceases to recognize the value of “good,” “OK,” and “ordinary,” he or she tends to devalue their own and others’ significance. The Ordinary Way introduces the importance of the quest that seems countercultural. Goodman connects the theme to the teachings of Jesus, specifically those found in which He provides His view of how His followers were to read and follow the Ten Commandments, and provide specific examples of how to “live the ordinary life” day-to-day. Recognizing the variety of life events, Goodman also addresses the subject of appreciating the extraordinary times of life as well as the less-than-ordinary times of life. The Ordinary Way shows you how to appreciate all of life. Welcome to the ordinary way of living.

How do people produce and reproduce identities? In How Americans Make Race, Clarissa Rile Hayward challenges what is sometimes called the 'narrative identity thesis': the idea that people produce and reproduce identities as stories. Identities have greater staying power than one would expect them to have if they were purely and simply narrative constructions, she argues, because people institutionalize identity-stories, building them into laws, rules, and other institutions that give social actors incentives to perform their identities well, and because they objectify identity-stories, building them into material forms that actors experience with their bodies. Drawing on in-depth historical analyses of the development of racialized identities and spaces in the twentieth-century United States, and also on life-narratives collected from people who live in racialized urban and suburban spaces, Hayward shows how the institutionalization and objectification of racial identity-stories enables their practical reproduction, lending them resilience in the face of challenge and critique.