Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow. Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself—as a Jew and as a writer—in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives. Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s. Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story—and Meyer Levin's—even more compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

A viciously funny and intelligently provocative play about family, friendship and faith, adapted by the author from his Pulitzer-finalist short story. Who in your life would you trust to keep you alive? And who do you know who would risk their own life for yours? Debbie and Lauren were best friends until Lauren became ultra-Orthodox, changed her name and moved to Jerusalem. More than twenty years later, husbands in tow, their Florida reunion descends with painful but hilarious inevitability into an argument about parenthood, marriage, friendship and faith. If you really want to ensure a Jewish future, you should be like me. Good, old-fashioned afraid. Nathan Englander's serious comedy, adapted for the stage from his Pulitzer-finalist short story, received its European premiere at the Marylebone Theatre, London, in October 2024.

Everyone who's ever found inspiration in Anne Frank's story will want to read this engaging new book based on the 22-year correspondence between Cara Wilson and Otto Frank, Anne's father. Readers learn more about the man who raised Anne Frank, his opinions and philosophies, and finally, about Wilson's journey to the "hiding place" and to Otto's home.

In 1951, Meyer Levin’s wife gave him a copy of The Diary of a Young Girl by Anne Frank, which had just been published in France. Levin was already a successful writer in his mid-forties, searching for a way to bear witness to his experiences as a war correspondent in Europe. In Anne Frank’s diary, he found the voice he had been waiting for. The Obsession, widely regarded as one of Meyer Levin’s finest works, is a candid account of his struggle to bring his version of Anne Frank’s diary to Broadway. Levin’s adaptation, begun with the support of Anne’s father, Otto, was eventually deemed ‘unstageworthy,’ and he was supplanted by non-Jewish writers. To Levin, it was a clear case of sanitizing Anne’s story in favor of mass appeal. He battled for his version in courtrooms and out, but the fallout nearly destroyed both his family and his career. In recounting the mania that gripped him for twenty years, Levin spares neither himself nor others. Like all his best work, this extraordinary memoir encompasses larger themes—the nature of Jewishness, the price of assimilation, the writer’s obligation to himself and to his subject, and the search for identity and purpose. "The Obsession is an autobiographical account by one of America's best contemporary novelists of his twenty-year agonizing enslavement to an idea. ... It is a dramatic book, beautifully written, with suspense, sensational revelations, the striking changes of pace and focus, and relentless seeking after the meaning of the obsession." - Sage Journal Publications

Examines Levin's claims that the stage adaptation of Anne Frank's diary rejected a Jewish treatment of the work in favour of a play with a universal message. The text establishes the bias of the opposition to Levin and places the issue in the context of the wider cultural struggle of the 1950s.

Traces the life of a young Jewish girl who kept a diary during the two years she and her family hid from the Germans in an Amsterdam attic.

Personal observations by an American Jewish woman writer about comtemporary and historical events.