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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from An Irish Peer on the Continent (1801-1803): Being a Narrative of the Tour of Stephen, 2nd Earl Mount Cashell, Through France, Italy, Etc The following narrative was written in circumstances in some respects similar to the present day. England had made peace with her greatest European rival, and the Continent being again open to travel, crowds were flocking abroad. At this time there were special reasons to draw the world to France. The War of 1793-1801, the first phase of the Napoleonic campaigns, had precluded travelling in that country, and, taking into consideration the disturbances there since 1789, it may be said to have been closed to tourists for almost a decade. During that period epoch-making events had taken place. A monarchy hallowed by centuries of tenure had been swept away; the forces that then triumphed had been in their turn displaced; and that amazing sequence of events known as the French Revolution had effectually overturned every existing institution. It would seem as if, when modern ideals had failed, man had turned to classic models. France threw off the tyranny of the most Christian King for the thinly-veiled despotism of a pagan Republic, with its Consuls, its Senators, its Temple to Mars, its toga-clad officials, its Eagles for standards; it demanded that the very world should begin anew, and, having renounced the Christian era, it formulated the Revolutionary Calendar. In the English Press these events were duly chronicled and unduly exaggerated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.