This book intensifies the stuff of W. R. Bion's contributions by offering us an evocative, enticing work which constantly forces the reader to face up to a most important issue: the attempt to read Bion demands patience and tolerance, as if it were an exercise.

This book explores the W. R. Bion's capacity in the "potential space" when fantasy becomes imagination. It looks at what can be called Political Meritocracy—Bion's term for it was The Establishment—and Technical Meritocracy.

A Memoir of the Future, Bion's unorthodox attempt to cast psychoanalytic speculation in fictional form, is composed of three semi-autobiographical novels: The Dream (1975), The Past Presented (1977), and The Dawn of Oblivion (1979). Presented here for the first time in one volume, they appear together with the Key to A Memoir of the Future, a glossary of terms and concepts compiled by Wilfred and Francesca Bion.

This book examines the importance and continued relevance of A Memoir of the Future in understanding and applying Bion’s work to contemporary psychoanalysis. Bion continued to innovate throughout his life, but the Memoir has been largely overlooked. Focusing on A Memoir of the Future is not only of deep interest in terms of the author’s biography, or even only in function of a better understanding of his theoretical concepts, but can also be considered, for all intents and purposes, the final chapter of an ingenious creative enterprise While by some it was thought as the evidence of Bion’s presumed senility, this book challenges that perspective, arguing that it represents the last challenge he issued to the psychoanalytic Establishment. In each chapter, the authors explore this notion that A Memoir forms an essential part of Bion’s theory, and that in it he establishes a new ‘aesthetic’ psychoanalytic paradigm. With an international list of distinguished authors, this is a key book for any analysts interested in a comprehensive understanding of Bion’s work.

Bion Today explores how Bion’s work is used in contemporary settings; how his ideas have been applied at the level of the individual, the group and the organisation; and which phenomena have been made more comprehensible through the lenses of his concepts. The book introduces distinctive psychoanalytic contributions to show the ways in which distinguished analysts have explored and developed the ideas of Wilfred Bion. Drawing on the contributors’ experience of using Bion’s ideas in clinical work, topics include: an introduction to Bion clarification of the inter-related concepts of countertransference and enactment concepts integrating group and individual phenomena clinical implications of Bion’s thought Bion’s approach to psychoanalysis. Bion Today will be a valuable resource for psychoanalysts, psychotherapists and all those who are interested in learning more about Bion’s thinking and his work.

Wilfred Bion and Literary Criticism introduces the work of the British psychoanalyst, Wilfred Bion (1897–1979), and the immense potential of his ideas for thinking about literature, creative process, and creative writing. There is now renewed interest in Bion’s work following the publication of his Complete Works but the complexities of his theory and his distinctive style can be forbidding. Less well-known than Freud or Lacan, the work of Wilfred Bion nevertheless offers new insights for psychoanalytic literary criticism and creative writing. For newer readers of his work, this book offers an engaging introduction to several of Bion’s key ideas, including his theory of thinking (the ‘thought without a thinker’), the container/contained relationship, alpha-function; alpha-elements, beta-elements, and bizarre objects; K and -K; the Grid, O, and the caesura. It also offers a way in to Bion’s astonishing and challenging experimental work, A Memoir of the Future, and explores the impact of his devastating personal experiences as an officer during the First World War. Each chapter of Wilfred Bion and Literary Criticism draws on one or more specific aspects of Bion’s theory in relation to creative texts by Sigmund Freud, Stevie Smith, B.S. Johnson, Mary Butts, Jean Rhys, Nicholas Royle, J.G. Ballard, and Wilfred Bion himself. The first full-length study to explore the potential of Bion’s ideas for literary criticism, Wilfred Bion and Literary Criticism introduces his complex and extensive work for a new audience in an accessible and engaging way, and will be of great interest to scholars of creative writing, literary criticism, and psychoanalysis.

Underpinned by rigorous close readings of his oeuvre, this book provides a comprehensive guide to the development, practice and evolution of Wilfred Bion’s clinical psychoanalytic work. Starting with the significance of Kant during Bion’s years as a student, the author traces the key influences on Bion in his psychoanalytic and personal development, progressing through Bion’s particularly productive pre-psychoanalytic work based on social field theory, his well-known elaboration of Klein’s schizoid mechanisms known as the theory of containment, all the while with his deeply thoughtful clinical approach inspired latterly by an understanding of literary creativity. Extending this unique emphasis on Bion’s clinical work, rather than his theory, Hinshelwood also explores how Bion’s early traumatic experiences helped shape his attitudes and approach to effective clinical work. With comprehensive coverage of the key tenets of Bion’s work, this should be essential reading for psychoanalysts and psychotherapists in practice and in training who seek a clear guide to the practical applications of his theory.