The immense linguistic wealth of Italy, reflecting her varied and multicentered history, is represented not only by its literary language -- the medium forged by Dante, Petrarch and Boccaccio, and adopted by countless other great writers -- but also by its many regional and local dialects, often so different from common Italian as to constitute in practice separate languages. The object of this book is to describe and, in as much as possible, account for the linguistic fragmentation of modern Italy, keeping in mind both diatopic and diastratic variation, along with diachrony and synchrony. Numerous maps serve as concrete illustration.

The Romance languages offer a particularly fertile ground for the exploration of the relationship between language and society in different social contexts and communities. Focusing on a wide range of Romance languages – from national languages to minoritised varieties – this volume explores questions concerning linguistic diversity and multilingualism, language contact, medium and genre, variation and change. It will interest researchers and policy-makers alike.

This book makes accessible the major structural features of the dialects of Italy and emphasises the importance of a detailed understanding of the dialects for issues in general linguistic theory.This book makes accessible the major structural features of the dialects of Italy and emphasises the importance of a detailed understanding of the dialects for issues in general linguistic theory. Selected contents include:* Phonology* Morphology* Syntax* Lexis* The Dialect Areas * Sociolinguistics of DialectsContributors: Paola Benica; Gaetano Berruto; Guglielmo Cinque; Michela Cennamo; Patrizia Cordin; Thamas Cravens; Marie-Jose Dalbera Stefanaggi; Franco Fanciullo; Werner Forner; Luciano Giannelli; John Hajek; Hermann Haller; Robert Hastings; Michael Jones; Michele Loporcaro; Martin Maiden; Marco Mazzoleni; Zarko Miljacic; Mair Parry; Cecilia Poletto; Lorenzo Renzi; Lori Repetti; Giovanni Ruffino; Giampaolo Salvi; Glauco Sanga; Leonardo Savoia; Alberto Sobrero; Rosanna Sornicola; Tullio Telmon; John Trumper; Edward Tuttle; Alberto Valvaro; Laura Vanelli; Ugo Vignuzzi; Nigel Vincent; Irene Vogel.

Recent years have seen a growing interest in linguistic phenomena whose formal manifestation and underlying licensing conditions represent the convergence of two or more areas of the grammar, an area of investigation particularly invigorated in recent generative research by developments such as phase theory (cf. Chomsky 2001; 2008) and the cartographic enterprise (cf. Rizzi 1997; Cinque 1999). In this respect, the dialects of Italy are no exception, in that they present comparative Romance linguists and theoretical linguists alike with many valuable opportunities to study the linguistic interfaces, as highlighted by the many case studies presented in this volume which provide a series of original insights into how different components of the linguistic system – syntactic, phonetic, phonological, morphological, semantic and pragmatic – do not necessarily operate in isolation but, rather, interact to license phenomena whose nature and distribution can only be fully understood in terms of the formal mapping between the interfaces.

Italy possesses two literary canons, one in the Tuscan language and the other made up of the various dialects of its many regions. The Other Italy presents for the first time an overview of the principal authors and texts of Italy's literary canon in dialect. It highlights the cultivated dialect poetry, drama, and narrative prose since the codification of the Tuscan literary language in the early sixteenth century, when writing in dialect became a deliberate and conscious alternative to the official literary standard. The book offers a panorama of the literary dialects of Italy over five centuries and across the country's regions, shedding light on a profoundly plurilingual and polycentric civilization. As a guide to reading and research, it provides a compendium of literary sources in dialect, arranged by region and accompanied by syntheses of regional traditions with selected textual illustrations. A work of extraordinary importance, The Other Italy was awarded the Modern Language Association of America's Aldo and Jean Scaglione Publication Award for a Manuscript in Italian Literary Studies. It will serve scholars as an indispensable resource book for years to come.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. This book provides the first ever large-scale comparative treatment of there sentences (there copula NP), in over 100 Italo-Romance and Sardinian dialects spoken in Italy. It comprises detailed discussions of focus structure, predication and argument realization, definiteness effects, and the linking between semantics and syntax in there sentences, advancing novel proposals in each case. The authors test influential hypotheses on existential constructions against first-hand dialect evidence; they argue that existential and locative there sentences differ in focus structure and semantics, even though they display similar morphosyntactic features. The volume also provides the historical background of Romance there sentences, relying on the findings of the analysis of a substantial corpus of early Italo-Romance vernacular texts. Couched in the framework of Role and Reference Grammar, the discussion fully engages with the vast available literature on existentials and locatives, thus being of interest to linguists of any theoretical persuasion. Through the investigation of existentials and locatives, the volume addresses key issues in linguistic theory, while offering an invaluable source of data for research on the Romance languages and a model in fieldwork-based microvariational analysis.

This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.