Examines the political, social, and religious factors that contributed to the formation of a literary canon in fourteenth-century England. This book tracks the reputations of Geoffrey Chaucer and William Langland into the fifteenth century, when studies of 14th-century literature became configured in terms of a double, antagonistic dynamic.

The author covers all three iterations of William Langland's Piers Plowman and discusses the various changes that occurred from one revision to the next, making this work unique in its ability to be taught alongside any version of a professor's choosing.