'An Indiscretion in the Life of a Heiress', is one of ten stories - three collaborative, all uncollected - that are brought together in this volume. 'Indiscretion', derived from Hardy's unpublished first novel The Poor Man and the Lady, represents one of his earliest confrontations with theclass and gender issues which were to remain central to his fiction throughout his life. Several of the other stories, notably 'Destiny and a Blue Cloak', 'The Spectre of the Real', and 'The Unconquerable', raise similar questions, while at the same time illustrating, in typical Hardyan fashion,life's little (or somewhat larger) ironies. Some of the other stories are less characteristic: 'Old Mrs Chuncle', for example, approximates moral fable more closely than is usual for Hardy, while 'Our Exploits at West Poley' is anomalous not only in being (like 'The Thieves Who Couldn't Help Sneezing') a story written for children but alsoin experimenting with unreliable narration. Such stories are signifcant precisley because they incoporate varieties of technique, subject matter, and genre that are otherwise found in the Hardy canon either rarely or not at all.

Through original essays from a distinguished team of international scholars and Hardy specialists, A Companion to Thomas Hardy provides a unique, one-volume resource, which encompasses all aspects of Hardy's major novels, short stories, and poetry Informed by the latest in scholarly, critical, and theoretical debates from some of the world's leading Hardy scholars Reveals groundbreaking insights through examinations of Hardy’s major novels, short stories, poetry, and drama Explores Hardy's work in the context of the major intellectual and socio-cultural currents of his time and assesses his legacy for subsequent writers

Provides a comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth, featuring some of the most popular writers and works.

This critical study of Hardy's short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood's Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set. No previous criticism has shown how the powerful challenges to the reader mounted in Hardy's later stories reveal the complexity of his motivations during a period when he was moving progressively in the direction of exchanging fiction for poetry. * Unique in providing a comprehensive criticism of Hardy's entire output of short stories. * Full, detailed, close readings of a number of key stories make this useful as a potential teaching resource. * Draws on the work of social historians to make clear the background of social and political unrest in Dorset that is partly uncovered and partly hidden in Hardy's portrayals of his fictional Wessex. * Offers fascinating insights into Hardy's near-obsession in his mature phase with the marriage contract, and with its legal binding of erratic men and women.

Woman Much Missed is the first book-length study of the many poems (over 150) that Thomas Hardy composed in the wake of the death of his first wife Emma in November of 1912. Mark Ford uses these poems to develop a narrative of their four-year courtship on the remote and romantic coast of Cornwall where they met, and then follows Thomas's poetic recreation of the slow degeneration of their marriage and their embittered final decade. Ford shows how Emma's writings and experiences during this time were fundamental to Thomas's evolution into both a best-selling novelist and into one of the greatest poets of the twentieth century. Although for over a decade the marriage between Thomas and Emma had been troubled, and indeed Emma spent much time during her final years secluded in her attic rooms above his study, her death stimulated him to write some of the greatest elegies in English. Twenty-one of these, including masterpieces such as 'The Voice' (which opens 'Woman much missed, how you call to me, call to me') and 'After a Journey' were collected in 'Poems of 1912-13'. While these have received much attention and are often read by school pupils and university students alike, his numerous other poems about Emma have only rarely been discussed. Ford corrects this oversight, providing accessible and insightful readings from a poet's perspective.

As a writer who achieved major eminence in both fiction and poetry and whose engagement with these genres encompassed the period of transition from Victorianism to Modernism, Thomas Hardy (1840-1928) enjoys a unique position in English Literary History. Michael Millgate, University Professor of English Emeritus at the University of Toronto is widely recognized as the world's foremost Thomas Hardy scholar. His contributions to the study of Hardy over more than three decades include his recently 'revisited' biography, the seven volume edition of Hardy's collected letters, and the influential critical study Thomas Hardy: His Career as a Novelist. In Thomas Hardy Reappraised, editor Keith Wilson pays tribute to Millgate's many contributions to Hardy studies by bringing together new work by fifteen of the world's most eminent Hardy scholars. These essays address questions of biblical and literary allusiveness, cultural, historical, and philosophical context, narrative and poetic theory and practice, as well as Hardy's place in the modern world and his influence on younger writers. Together, the contributors offer one of the most significant reappraisals of Hardy's work to have appeared since Michael Millgate helped to transform Hardy studies. They offer graphic testimony to Hardy's enduring popularity and importance. Contributors: Pamela Dalziel Mary Rimmer Dennis Taylor Barbara Hardy U.C. Knoepflmacher Marjorie Garson Ruth Bernard Yeazell Simon Gatrell J. Hillis Miller George Levine Jeremy V. Steele William W. Morgan Samuel Hynes Norman Page W. J. Keith

Acknowledgements -- Index