"Spanning virtually the entire twentieth century and as timely as the outbreak of the 2011 ‘January Revolution,’ this work has much to say about where Egypt has been, who Egyptians are and, ultimately, where they may take their country." --Joel Gordon, author of Nasser: Hero of the Arab Nation "A truly extraordinary accomplishment that is thought provoking, creative, and inspiring. Belli is the first in Middle Eastern studies to examine the cultural history of twentieth-century Egypt through the interactions between education and remembrance. Her revised theoretical approach is applicable not only to Middle Eastern societies and cultures, but to others worldwide." --Israel Gershoni, Tel Aviv University "An interesting history of memory that is diverse, dynamic, and disparate. Makes an outstanding contribution to our understandings of Egyptian national identity and memory." --Nancy L. Stockdale, University of North Texas Examining history not as it was recorded, but as it is remembered, An Incurable Past contextualizes the classist and deeply disappointing post-Nasserist period that has inspired today’s Egyptian revolutionaries. Public performances, songs, stories, oral histories, and everyday speech reveal not just the history of mid-twentieth-century Egypt, but also the ways in which ordinary people experience and remember the past. Constructing a ground-breaking theoretical framework, Mériam Belli demonstrates the fragility of the "collectivity" and the urgent need to replace the current method for studying collective memory with a new approach she defines as "historical utterances." Contextual and relational, these links between intimate and public historical narratives are an integral part of a society’s dialogue about its past, present, and future. Three major vernacular expressions constitute the historical utterances that illuminate the Nasserite experience and its present. The first is universal schooling and education. The second is anti-colonial struggle, as exemplified by Port Said’s effigy burning festival. The third is the public’s responses to the "miraculous millenarian" apparition of the Virgin Mary. Using an extensive array of sources, ranging from official archives and press reportage to fiction, public rituals, and oral interviews, Belli’s findings penetrate issues of class, religion, and social and political activism. She shows that personal testimonies and public representations allow us a deep understanding of Egypt’s construction of the modern in its many sociocultural layers. Mériam N. Belli is associate professor of history at the University of Iowa.

1928, Kentucky, a horrific disease known as the white plague claimed over thousands of lives. A monstrous sanatorium was built to isolate and play host to bizarre experiments in desperation to find a cure. From the producer of Spooked and Death Tunnel, Christopher Saint Booth shares this emotional yet Spooked diary of the infected and the hell hospital they called home. Read the true accounts of a day in the life and death of the Incurable. Contains the hidden past, journals from actual patients, staff and ghost hunters. Exclusive interviews with the haunted and the blessed. This is their true story, their last words and memories of the scariest place on earth. Waverly Hills Sanatorium, a monster of a building! May their souls never be forgotten.

'At the turn from our bedroom into the hallway, there is an old full-length mirror in a wooden frame ... This reflected version of myself, shaking, rumpled, pinched and slightly stooped, would be alarming were it not for the self-satisfied expression pasted across my face. I would ask the obvious question, "What are you smiling about?" but I already know the answer: "It just gets better from here."' Struck with Parkinson's - a debilitating, degenerative disease - at the height of his fame, Michael J. Fox has taken what some might consider cause for depression and turned it into a beacon of hope for millions. In Always Looking Up, Michael's Sunday Times bestselling memoir, he writes with warmth, humour and incredible honesty about the journey he has undertaken since he came to terms with his condition.

This collaborative History aims to become the standard work on Victorian literature for the twenty-first century. Well-known scholars introduce readers to their particular fields, discuss influential critical debates and offer illuminating contextual detail to situate authors and works in their wider cultural and historical contexts. Sections on publishing and readership and a chronological survey of major literary developments between 1837 and 1901, are followed by essays on topics including sexuality, sensation, cityscapes, melodrama, epic and economics. Victorian writing is placed in its complex relation to the Empire, Europe and America, as well as to Britain's component nations. The final chapters consider how Victorian literature, and the period as a whole, influenced twentieth-century writers. Original, lucid and stimulating, each chapter is an important contribution to Victorian literary studies. Together, the contributors create an engaging discussion of the ways in which the Victorians saw themselves and of how their influence has persisted.

Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology.