This book contains a collage of rhymes, sprinkled, and interjected with the author’s own viewpoint and idealism, although some readers may find a few of them to be a bit provocative or at least dubitable. It is penned with simplicity and clearness by an immigrant, whose parents, seeking a better life for themselves and their children, were finally allowed to set foot on this free and noble land. It was September 2, 1958. This volume also includes some of his artwork, which besides his love for writing, has always been his passion. He is a self-taught artist who works with mixed mediums including oils, acrylics, and pastels.

A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries

Winner of the T. S. Eliot Prize 2020. Poetry Book Society Choice, Summer 2020. Bhanu Kapil’s extraordinary and original work has been published in the US over the last two decades. During that time Kapil has established herself as one of our most important and ethical writers. Her books often defy categorisation as she fearlessly engages with colonialism and its ongoing and devastating aftermath, creating what she calls in Ban en Banlieue (2015) a ‘Literature that is not made from literature’. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the UK, depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.

Unearthed recordings reveal the early days of the literary powerhouses who gave birth to CanLit in the 1960s. From 1969 to 1970, radio interviewer Earle Toppings recorded sixteen Canadian writers and poets who went on to become pillars of Canadian literature. These emerging icons of Canadian literature, including Margaret Laurence, Sinclair Ross, and Al Purdy, captured in Toppings’s interviews and readings, give intimate and compelling views of their developing prose and poetry, in their own words. The Earle Toppings tapes provide a distinctive and special glimpse into the workshops of emerging CanLit authors, revealing their thoughts about writing, about their successes and failures, about their place in Canada and in Canadian literature. This written version of Toppings’s recordings presents exact transcripts of the spoken interviews, complemented by brief biographies and bibliographies. The interviews were carefully compiled by the inaugural group of four Northrop Frye Research Centre Undergraduate Fellows at Victoria College. This rare portrait would not have been complete without an interview with Mr. Toppings himself, sharing his personal recollections of the authors he recorded and his own insight into their works.

Story in verse of women's factory life in Lowell, Mass., about 1845.

The authoritative essays in this collection provide helpful contextual models for engaging with W. H. Auden's poetry.

Two days after Christmas in 1738, a British merchant ship traveling from Rotterdam to Philadelphia grounded in a blizzard on the northern tip of Block Island, twelve miles off the Rhode Island coast. The ship carried emigrants from the Palatinate and its neighboring territories in what is now southwest Germany. The 105 passengers and crew on board-sick, frozen, and starving-were all that remained of the 340 men, women, and children who had left their homeland the previous spring. They now found themselves castaways, on the verge of death, and at the mercy of a community of strangers whose language they did not speak. Shortly after the wreck, rumors began to circulate that the passengers had been mistreated by the ship's crew and by some of the islanders. The stories persisted, transforming over time as stories do and, in less than a hundred years, two terrifying versions of the event had emerged. In one account, the crew murdered the captain, extorted money from the passengers by prolonging the voyage and withholding food, then abandoned ship. In the other, the islanders lured the ship ashore with a false signal light, then murdered and robbed all on board. Some claimed the ship was set ablaze to hide evidence of these crimes, their stories fueled by reports of a fiery ghost ship first seen drifting in Block Island Sound on the one-year anniversary of the wreck. These tales became known as the legend of the Palatine, the name given to the ship in later years, when its original name had been long forgotten. The flaming apparition was nicknamed the Palatine Light. The eerie phenomenon has been witnessed by hundreds of people over the centuries, and numerous scientific theories have been offered as to its origin. Its continued reappearances, along with the attention of some of nineteenth-century America's most notable writers-among them Richard Henry Dana Sr., John Greenleaf Whittier, Edward Everett Hale, and Thomas Wentworth Higginson-has helped keep the legend alive. This despite evidence that the vessel, whose actual name was the Princess Augusta, was never abandoned, lured ashore, or destroyed by fire. So how did the rumors begin? What really happened to the Princess Augusta and the passengers she carried on her final, fatal voyage? Through years of painstaking research, Jill Farinelli reconstructs the origins of one of New England's most chilling maritime mysteries.