Table of contents: Leeds is a city with a rich commercial tradition and fine buildings to match. Its prosperity, founded on the wool trade, is reflected in the seventeenth-century church of St John, with its magnificent Jacobean woodcarving and furnishings, while the town's eighteenth-century expansion produced elegant Georgian parades and squares with homes for wealthy merchants. They now stand cheek-by-jowl with solid, proud warehouses and offices of the railway age in a wonderful variety of styles ranging from elegant neo-Grecian to Gothic, Moorish and Egyptian.

Urban parks are a much-loved feature of the city environment. However, our knowledge of the true scale of their impact remains uneven. Much work has been done on their origins and design features, but this book aims to extend this beyond the nineteenth century, examining the fuller flowering of these valuable spaces in the early decades of the twentieth century. Encompassing themes such as social and political usage, parks as employers and the dangers posed by such freely accessible spaces, the book examines a range of parks in cities such as Manchester, Salford, Liverpool, Leeds, Preston, Hull and Cardiff and challenges the prevailing myths about their meaning for their users. This study's timeframe spans almost 100 years of unprecedented social, cultural, political and economic changes and allows for the consideration of the expansion and commercialisation of leisure opportunities for the public. Urban parks played a significant role in this — the book places parks firmly in the context of the evolving city and examines the importance of green space to the urban citizen during this most fascinating of historical periods.

Celebrating the creation and restoration of some of Britain's most diverse and fascinating historic parks

This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.