Developed by the Design Leader for Global Retail Hair at Procter & Gamble, An Eye for Color teaches readers how to develop their color sense. The book presents a unique, easy-to-follow system that the author developed to create effective color patterns, which differentiates it from the standard index-style books on the market that provide color combinations without placing those combinations in context. An Eye for Color shows how to build your own color index by "dissecting" a gorgeous selection of works used by master painters, graphic designers, fashion and furniture designers and craftsmen—all selected for their exceptional use of color. In addition, the book's compact design and irresistibly chunky format will make it useful and attractive to designers, artists, students, professionals, or anyone trying to find attractive color combinations. An Eye for Color is organized into chapters by color. In every spread, the author first presents the work of a designer or painter. Second, she breaks down the color palette of the work, providing color squares on the page in both RGB and CMYK configurations. Text accompanying each chosen image contains information on the artist's inspiration for his use of color and interprets it. The text also describes the technical, emotional and artistic qualities of the work. The third step is for the reader to replicate the color swatches with Pantone chips or a Photoshop print out and place them onto a rolodex card which would then become the basis for their own inspiration file. Perforated sheets at the beginning of each chapter will enable readers to immediately start building their rolodexes based on the examples shown in the book.

Presents a discussion of German-born American artist Josef Albers' perspective on color and use of contrasting combinations of colors to revolutionize the way people look at art.

Morgan Worthy, a research psychologist, presents a comprehensive picture of how eye color is related to the behavior of humans and animals. In humans, he used archival records of athletic performance to show the theoretical pattern which has light-eyed athletes performing at their best on self-paced tasks and dark-eyed athletes, on average, performing at their best on reactive tasks. This same general pattern is shown to hold true in animal behaviors such as hunting tactics of predators and escape tactics of prey. Whereas dark-eyed predators tend to rely on immediate, quick, reactions to catch prey, light-eyed predators tend to rely more on their ability to lie-in-wait or stalk prey. Various other behaviors such as perception and social interaction are discussed in the same theoretical framework.

Introducing, the Complete Illustrated, Premier Atlas of Modern Ophthalmology. Without question, the most beautiful book in Eye Care ever to be released. 350 pages of over 600 Full-Color, Large Full Page illustrations covering Normal Eye, Cataracts/IOL's, Glaucoma, Vitreous/Retina/RD/AMD/DR/PVR, Refractive Errors, all Refractive Surgeries, Cornea, Extraocular Conditions, complete Anatomy of the Eye and Orbit. Didactic compilation of the best Clinical and Surgical Eye Artworks of World-Renowned Ophthalmic Artist Stephen F. Gordon - over 35 Years of Eye Care History, Breakthroughs, and Innovations to date. LARGE PRINT EDITION / Color-Tabbed for Quick Reference. Perfect for Exam Room consultations, Medical Schools/Libraries, Patient Education, Staff Education/Training, surgical planning reference, Optical Dispensary, Home, Office, Conference, Waiting and Dilating Rooms. Ultimate gift for colleagues, staff, all eye care professionals, or anyone with an interest in the Human Eye.

From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums. Finalist for the 2002 National Book Critics Circle Award.

Taryn Simon?s 'The Color of a Flea?s Eye' presents a history of the New York Public Library?s Picture Collection?a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals. Since its inception in 1915, the Picture Collection has been a vital resource for writers, historians, artists, filmmakers, fashion designers and advertising agencies.0In her work 'The Picture Collection' (2012-20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon?s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history?its classifications, its contents?seems the stuff of projection.