Excerpt from Modern Etchings, Engravings and Mezzotints, Printed in Color, Chiefly From the Collection of the Late Henry A. Bateman of Baltimore, MD: To Be Sold Thursday and Friday Evenings, January 14 and 15, 1915 From the Mockler Collection, as are the following three lots. The great exhibition (exterior). L. 162. 1851. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from Catalogue of a Collection of Prints From Mrs. Frank Hartley and Estate of Joseph F. Daly of New York City and From Other Owners, 1917: Including a Remarkable Collection of Colored Mezzotints by S. Arlent Edwards in Superb Condition, and Fine Examples of the Work of Bracquemond, Canaletto, Cameron, Haden, Haig, Meryon, and Many Other Artists, and a Few American Views Line engravings, after Raphael. Proof with one line of the inscription in open letters. With full margins. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.