Faces are more than a montage of organs that see, breathe, speak, hear, eat, sing, smell, and yell. As Josephine Tey points out in her mystery novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the look of the eye, the firmness of a chin, often can provide evidence of character that is as telling as a report card or a police blotter. Those features depicted on portraits of individuals can be equally telling of the person’s inner nature or perhaps of what the artist thinks (or wants the viewer to think) about the person being portrayed. Sometimes a portrait might be even more useful than a biography. While examining these portraits, the author considers three questions: what was Wesley’s attitude toward the portrait (if any), how did the public respond to these portrayals, and what was the artist attempting to convey? This book focuses on the main portraits and their derivatives, looking at them within the three main categories that developed over the years: Oxford don, Methodist preacher, and notable person. Although these types seemed to arise in chronological order, there is some overlap between categories, especially toward the end of Wesley’s life and beyond.

What was God thinking when He ENGENDERED or created male and female? What does that have to do with gender roles? And is that purpose still relevant today? Patsy Cameneti boldly explores God's thoughts and creative intention for humankind. Stripping away cultural and traditional thinking, she examines raw truths from God's Word about gender, sexuality, marriage, and family that deliver practical insights into your everyday life. ENGENDERED doesn't shy away from topics of the day and brings God's perspective to subjects like these: How to enjoy marriage as God designed it What God thinks about sex Sexuality and gender clarity Parenting God's way Reflecting God's image through gender roles As you discover God's original purpose and design for these areas, you'll be enlightened and empowered to live the life God ENGENDERED for you from the beginning.

Reprint of the original, first published in 1867.

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