Isaac Watts' 'A Short Essay Toward the Improvement of Psalmody' is a groundbreaking work that revolutionized English hymnody in the 18th century. Watts utilizes a scholarly approach to hymnody, providing critical analysis on the limitations of psalm singing and proposing innovative ways to enhance congregational worship through the creation of original hymns. As a prominent figure in the Enlightenment era, Watts emphasizes the importance of creativity and individual expression in religious music, paving the way for future hymn writers. His eloquent writing style and profound theological insights make this book a must-read for scholars of religious poetry and music history. Watts' work marks a significant shift in the way Christians engage with music in worship, influencing generations of hymn writers and composers. 'A Short Essay Toward the Improvement of Psalmody' serves as a timeless guide for those seeking to deepen their understanding of the intersection between faith and artistic expression.

Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill. Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period. Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

Two respected scholars explore the heart of the Psalms Following in the style of their companion volumes, The Psalms as Christian Worship and The Psalms as Christian Lament, Bruce Waltke and James Houston now explore the depths of Christian praise. Each volume uniquely blends verse-by-verse commentary with a history of Psalms interpretation in the church from the time of the apostles to the present. Since praise is the essence of the book of Psalms, Waltke and Houston have narrowed the focus to Book IV of the Psalter (Psalms 90-106), which magnify God and proclaim him king. To give voice to the psalmist, the authors (carefully) translate and explain each psalm and summarize its theological message. This is followed by listening to the voice of godly churchmen whose comments have stood the test of time. The Psalms as Christian Praise is ideal for anyone seeking to better understand the praise of Israel as found in the Psalms and how Christians also use these Psalms in worship.

The Psalms generated more biblical commentary from early Christians than any other book of the Hebrew and Christian canon. While advances have been made in our understanding of the early Christian preoccupation with this book and the traditions employed to interpret it, no study on the Psalms traditions exists that can serve as a solid academic point of entry into the field. This collection of essays by distinguished patristic and biblical scholars fills this lacuna. It not only introduces readers to the main primary sources but also addresses the unavoidable interpretive issues present in the secondary literature. The essays in The Harp of Prophecy represent some of the very best scholarly approaches to the study of early Christian exegesis, bringing new interpretations to bear on the work of influential early Christian authorities such as Athanasius, Augustine, and Basil of Caesarea. Subjects that receive detailed study include the dynamics of early Christian political power, gender expressions, and the ancient conversation between Christian, Jewish, and Greek philosophical traditions. The essays and bibliographic materials enable readers to locate and read the early Christian sources for themselves and also serve to introduce the various interdisciplinary methods and perspectives that are currently brought to bear on early Christian psalm exegesis. Students and scholars of theology and biblical studies will be led in new directions of thought and interpretation by these innovative studies.

Christian scholars write to inspire renewed interest in actively praying, reciting, and singing the Psalms in personal and corporate times of worship, citing its biblical basis and historical emphasis.