"This book covers the following topics related to genius: the nature of genius; the province and criterion of genius; to what faculty of mind genius belongs; how genius arrives from the imagination; the influence of judgment upon genius; the dependence of genius on other intellectual powers; the general sources of the varieties of genius; qualities of ideas which produce association; the influence of the passions on association; reflections of the principles of association; ideas suggested, either by sensations, or by other ideas; the combination of associating principles; the predominance of the associating principles; flexibility of imagination; the varieties of memory, and their influence on genius; the varieties of judgment, and their influence on genius; the kinds of genius; genius twofold, for science, or the the arts; the structure of imagination which distinguishes the two kinds of genius; how the two kinds of genius differ in respect of the assistance which they derive from memory; how the two kinds of genius differ in respect of the assistance which they derive from judgment; the two kinds of genius farther compared and distinguished; taste essential to genius for the arts; the power of execution necessary to genius for the arts; and the union of different kinds of genius"--Book. (PsycINFO Database Record (c) 2008 APA, all rights reserved).

Dissertations on subjects relating to the genius By Alexander Gerard This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Debates about the nature of the Enlightenment date to the eighteenth century, when Imanual Kant himself addressed the question, “What is Enlightenment?” The contributors to this ambitious book offer a paradigm-shifting answer to that now-famous query: Enlightenment is an event in the history of mediation. Enlightenment, they argue, needs to be engaged within the newly broad sense of mediation introduced here—not only oral, visual, written, and printed media, but everything that intervenes, enables, supplements, or is simply in between. With essays addressing infrastructure and genres, associational practices and protocols, this volume establishes mediation as the condition of possibility for enlightenment. In so doing, it not only answers Kant’s query; it also poses its own broader question: how would foregrounding mediation change the kinds and areas of inquiry in our own epoch? This Is Enlightenment is a landmark volumewith the polemical force and archival depth to start a conversation that extends across the disciplines that the Enlightenment itself first configured.