To escape arrest for her best friend’s murder, Vejay must find the real killer—before it’s too late In the small woodsy town of Henderson, California, the electric company is strict about sick days. So when meterreader Vejay Haskell decides to play hooky, her first concern is staying out of sight. She skirts around the edge of town, making her way to Frank’s Place, a cozy saloon owned by her friend Frank Goulet. After two cups of hot buttered rum, they have an argument and she storms out into the pouring rain. She goes home, takes a nap, and awakens sober, embarrassed, and ready to apologize. But by the time she gets back to Frank’s bar, he is dead. Vejay was seen leaving Frank’s house in a huff, and her lack of an alibi combined with her suspicious sick day makes her the number-one suspect. As the police close in on her, Vejay turns detective in search of Frank’s real killer. It’s a perilous task, but she has one advantage when she puts on her work clothes: Nobody ever notices the meterreader. This ebook features an illustrated biography of Susan Dunlap including rare images from the author’s personal collection. An Equal Opportunity Death is the 1st book in the Vejay Haskell Mysteries, but you may enjoy reading the series in any order.

Why is death bad for us, even on the assumption that it involves the absence of experience? Is it worse for us than prenatal nonexistence? Kamm begins by considering these questions, critically examining some answers other philosophers have given. She explores in detail suggestions based on our greater concern over the loss of future versus past goods and those based on the insult to persons which death involves. In the second part, Kamm deals with the question, "Whom should we save from death if we cannot save everyone?" She considers whether and when the numbers of lives we can save matter in our choice, and whether the extra good we achieve if we save some lives rather than others should play a role in deciding whom to save. Issues such as fairness, solidarity, the role of random decision procedures, and the relation between subjective and objective points of view are discussed, with an eye to properly incorporating these into a nonconsequentialist ethical theory. In conclusion, the book examines specifically what differences between persons are relevant to the distribution of any scarce resource, discussing for example, the distribution (and acquisition) of bodily organs for transplantation. Kamm provides criticism of some current procedures for distribution and acquisition of a scarce resource and makes suggestions for alternatives.

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Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound. Look at the popularity of such reading guides as Willetta Heising's Detecting Women (3rd ed. 0-9644593-7-X) or Amanda Cross' fiction (Honest Doubt 0-345-44011-0 11/00).

Updated with a new introduction, this fifteenth anniversary edition of A Return to Modesty reignites Wendy Shalit’s controversial claim that we have lost our respect for an essential virtue: modesty. When A Return to Modesty was first published in 1999, its argument launched a worldwide discussion about the possibility of innocence and romantic idealism. Wendy Shalit was the first to systematically critique the "hook-up" scene and outline the harms of making sexuality so public. Today, with social media increasingly blurring the line between public and private life, and with child exploitation on the rise, the concept of modesty is more relevant than ever. Updated with a new preface that addresses the unique problems facing society now, A Return to Modesty shows why "the lost virtue" of modesty is not a hang-up that we should set out to cure, but rather a wonderful instinct to be celebrated. A Return to Modesty is a deeply personal account as well as a fascinating intellectual exploration into everything from seventeenth-century manners to the 1948 tune "Baby, It’s Cold Outside." Beholden neither to social conservatives nor to feminists, Shalit reminds us that modesty is not prudery, but a natural instinct—and one that may be able to save us from ourselves.