Nancy Drew meets P-Valley as an Atlanta reporter investigates the gruesome ritualistic murder of a dancer at the female-owned strip club where she herself worked years before. Acclaimed author L. Divine makes her adult debut in this thrilling, sexy new series for fans of My Sister, the Serial Killer by Oyinkan Braithwaite, Kirstin Chen’s Counterfeit, and All Her Little Secrets by Wanda M. Morris. When Keke starts looking into secretive stripper Monaka's grisly death, she’s instantly caught between her past and her present. Through The Honey Pot club owner "Honey Mama" Thiboudeaux, Keke found refuge from the streets, earned much money from her stage persona "Brandy," and got a chance at a new life all her own. Her bombshell exposé about the club launched her reporting career. But it caused a bitter, seemingly irrevocable split between her, the only family she's ever known—and Drew, the one man Keke won't admit she's never gotten over . . . At Honey Mama request's, Keke goes undercover as Brandy to find the truth before political pressures shut the progressive club down for good. But Keke has to watch more than her back when she finds Monaka had an unshakable, dangerously elusive stalker, an illicit club sideline—and vicious conflicts with rival dancers. Even more explosive, Keke's persistence is putting her at odds with Drew, now a police detective working this case . . . and the secrets she herself can no longer hide. Now with the clock fast ticking down, Keke must tantalize the killer with the one lure he—or she—can't resist. But using fantasy as a trap could put more than her pursuit of justice on the line--it risks ending her career and life for good . . .

"By turns witty, erudite, probingly serious and sparklingly irreverent, these essays refresh our readings of the Bible, and deepen our vision of foundational feminist figures. A wonderfully thought-provoking and readable collection." EVA HOFFMAN Author of EXIT INTO HISTORY This is the first collection of essays in which women read and respond to the Bible out of pleasure and curiosity--reclaiming the Bible for women and showing readers that the Bible is a source we can return to again and again. Drawing on their own epxeriences and interests, Louise Erdrich, Cynthia Ozick, Fay Weldon, Phyllis Trible, Rebecca Goldstein, June Jordan, Ursula Le Guin, and twenty-one other writers boldly imaginatively--and sometimes reproachfully--address the Old Testament stories, characters, and poetry that mean the most to them. As with all great works of literature, it is a book that changes as we change, a garden in its own right whose pleasures are there for the taking, as are its surprises and thorny byways.

An analysis of the intertwining tales of Elijah and Ahab--mercurial prophet and Machiavellian king--this book is an accessible treatment of one of the most dramatic and well-known episodes in the Bible. In contrast to the popular image of Elijah as a courageous wonder-worker who calls down fire from heaven and ascends to heaven in a fiery chariot, this book contends that the prophet was a deeply conflicted man, torn between a burning idealism and a deep disillusionment over his failure to achieve his ideals. Despite his profound sense of failure, Elijah's struggle against the paganizing regime of King Ahab and his queen, Jezebel, managed to save monotheism from eclipse, and in so doing alter the course of human history. This work further proposes that the tale presented by the Bible is more than an account of an ancient battle between two historic figures: it is a paradigm of the struggle between the ideals of human dignity and justice, and the alternative of expediency in the pursuit of power, a conflict that pervades human life to this very day.

Tragedy of the Commons invites readers into a fresh exploration of the book of 1 Samuel, which tells the story of Saul, Israel’s first monarch and the personification of its chronic sins. Stulac’s unique voice combines sensitive exegesis with probing meditations on culture, art, literature, memoir, and Christian spirituality. He cuts deftly through the moralistic reductions of Old Testament stories for which the church too often settles, and in doing so, reveals the life-giving rhetoric of a biblical book aimed squarely at the reader’s transformation of mind and heart. “Israel’s common tragedy,” writes Stulac, “will be solved through a lengthening and a deepening of the tragedy itself. Finding his people up to their eyeballs in sewage, God dives into the polluted abyss, swims to the bottom, and unplugs the pipe below their flailing feet.” From Hannah’s miracle baby to Saul’s suicide, Tragedy helps readers to recognize both their own predilection for idols as well as the surprising ways that 1 Samuel anticipates the gospel of Jesus Christ. “King Saul serves not as a finger-wagging argument for God’s disengagement from his people’s fate,” Stulac claims, “but as the shocking conduit of God’s incarnational involvement in their corporate mess.”

Have you ever wondered about life after death? Have you likewise wondered how good do you have to be to have God punch your ticket to heaven? Also, to have St. Peter say to you at the pearly gate, Youre good to go! How Good Is Good Enough for God? will address this mystical subject, but it will do so in the least mystical way possible. How do we minimize the mysticism? We use the Holy Bible as our source document, and one passage, specifically, gives us strong guidance as to what God expects of us to qualify for his salvation. That passage is Revelation 13, which includes the letters to the seven churches in Asia. We will dig deep to find out what the core meanings of obscure references to ancient churches means to us today and how this passage can help us determine our eternal fate. You will come to find that these ancient words will provide extremely valuable teachings for your deepest needs today. Specific benchmarks on what it takes to make it into heaven in the afterlife are contained in this passage. Join me on an ultimate adventure to discover the keys to eternal salvation.