What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed. Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia, The Faerie Queene, and The Tempest, they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed. Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia, The Faerie Queene, and The Tempest, they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself. What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed. Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia, The Faerie Queene, and The Tempest, they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself.

This book focuses its reading of the poetics and politics of colonial expansion in Renaissance England on the lives and writings of such diverse figures as Sir Walter Ralegh, John Donne, Richard Hakluyt, Samuel Purchas, William Shakespeare, Edmund Spenser, and John Milton. It studies a wide range of texts, including The Discoverie of Guiana, Virginia's Verger, Othello, The Faerie Queene, A View of the Present State of Ireland, Paradise Lost, and Paradise Regained. It also examines the inscription in these writings of themes, motifs, and tropes frequently found in colonial texts: the land as desiring female body and object of desire; the masculinist gaze responding to the exotic; and the experience of the thrilling sensations of wonder.

The contributors to the present volume, in espousing and extending the programme of such writers as Edward Said, Benedict Anderson, Homi Bhabha, and Gayatri Spivak, lay bare the genealogy of 'writing' empire (thereby, in a sense, 'un-writing' it). One focus is the Caribbean: the retrograde agenda of francophone créolité; the re-writing of empire in the postmodern disengagement of Edouard Glissant; resistance to post-colonial allegiances, and the dissolving of binary categories, in contemporary West Indian writing. Essays on India, Malaysia, and Indonesia explore various aspects of cultural self-understanding in Asia: un-writing high culture through hybrid 'shopping' among Western styles; the use of indigenous oral forms to counter Western hegemony; romantic and anti-romantic attitudes towards empire and the land. A shift to Africa brings a study of Nadine Gordimer's feminist un-writing of Hemingway's masculinist colonising narrative, a searching analysis of Soyinka's restoration of ancient syncretic elements in his West African re-visions of Greek tragedy, changing evaluations of the validity of European civilization in André Gide's representations of Africa, and tensions of linguistic allegiance in Maghreb literature. North America, finally, is brought back into the imperial fold through discussions of Melville's re-writing of travel and captivity narratives to critique the mission of American empire, Leslie Marmon Silko's re-territorialization of expropriated Native American oral traditions, and Timothy Findley's representation of Canada's troubled involvement with its three shaping empires (French, British, American).

In "IMPERIAL GERMANY AND THE INDUSTRIAL REVOLUTION: The Background Origins of World War I - Economic Rise as a Fuel for Political Radicalism", Thorstein Veblen explores the economic dynamics of Imperial Germany and their role in shaping the political landscape that ultimately led to World War I. Veblen's writing style is characterized by a meticulous attention to detail and a critical analysis of the interplay between economic interests and political ideologies during this critical period in history. This book serves as a significant contribution to the understanding of the complex relationship between economic power and political radicalism in pre-World War I Germany. Veblen's examination of the industrial revolution's impact on the rise of Imperial Germany sheds light on the roots of the social and political upheavals that eventually culminated in global conflict. As a respected economist and social critic, Veblen's insights offer valuable perspectives on the underlying causes of historical events that continue to shape our world today. I highly recommend this book to readers interested in delving into the economic factors that underpinned the tumultuous political developments of Imperial Germany and their repercussions in the lead-up to World War I.

Although conventionally treated as separate, America's four wars in Asia were actually phases in a sustained U.S. bid for regional dominance, according to Michael H. Hunt and Steven I. Levine. This effort unfolded as an imperial project in which military power and the imposition of America's political will were crucial. Devoting equal attention to Asian and American perspectives, the authors follow the long arc of conflict across seventy-five years from the Philippines through Japan and Korea to Vietnam, tracing along the way American ambition, ascendance, and ultimate defeat. They show how these wars are etched deeply in eastern Asia's politics and culture. The authors encourage readers to confront the imperial pattern in U.S. history with implications for today's Middle Eastern conflicts. They also offer a deeper understanding of China's rise and Asia's place in today's world. For instructors: An Online Instructor's Manual is available, with teaching tips for using Arc of Empire in graduate and undergraduate courses on America's wars in Asia. It includes lecture topics, chronologies, and sample discussion questions.

The American West, blessed with an abundance of earth and sky but cursed with a scarcity of life's most fundamental need, has long dreamed of harnessing all its rivers to produce unlimited wealth and power. In Rivers of Empire, award-winning historian Donald Worster tells the story of this dream and its outcome. He shows how, beginning in the mid-nineteenth century, Mormons were the first attempting to make that dream a reality, damming and diverting rivers to irrigate their land. He follows this intriguing history through the 1930s, when the federal government built hundreds of dams on every major western river, thereby laying the foundation for the cities and farms, money and power of today's West. Yet while these cities have become paradigms of modern American urban centers, and the farms successful high-tech enterprises, Worster reminds us that the costs have been extremely high. Along with the wealth has come massive ecological damage, a redistribution of power to bureaucratic and economic elites, and a class conflict still on the upswing. As a result, the future of this "hydraulic West" is increasingly uncertain, as water continues to be a scarce resource, inadequate to the demand, and declining in quality.