Letters from all over England and abroad had to be brought and replies or orders sent. Decisions and movements were often affected by the threat of plague." "Firmly based on contemporary sources and complemented by a wealth of illustrative material, this new study will be immensely valuable to students and scholars and yet its accessible style will appeal to the amateur and local historian and to those with a general interest in the Elizabethan period."--Jacket.

Join Queen Elizabeth I on her annual summer procession through the English countryside in this majestically illustrated alphabet. With an A for Adventure, the queen leaves London for an extraordinary holiday among her people. Feast on blackbird pie, join the royal hunting party, and cheer on your favorite knights as they joust for the queen's favor. But watch out! T is for Treason. Traitors trail in the queen's path and it's up to her bravest and most loyal subjects to keep her from harm! Playful, rhyming verse, fascinating notes about each topic, and lavishly detailed pictures make this delightful romp through Elizabethan England a pleasure to read again and again.

There is no detailed account of any of Elizabeth IOs progresses and none of the many references in biographies mention more than the major occasions, such as the spectacular visit to Kenilworth. In this pioneering work Dovey uses contemporary documents to study in detail a single, long progress, covering the court servantsO preparations, the stops en route, and the work of the Council, who had to go along.

Filled with lush illustrations, this counting book reveals both the pleasure and the tranquility of the Japanese garden, while introducing haiku poetry, with eleven poems that are simple and easy to follow. Follow along as the young girl explores the beauty of the garden, and discover the fun of haiku.

What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.

In a 1572 visit to Warwick, Queen Elizabeth looked out the window of her lodgings and saw local people dancing in the courtyard, a seemingly spontaneous performance meant to entertain her. During her travels, she was treated to fireworks, theatrical performances, and lavish banquets. Reconstructing the formal and informal events that took place throughout Elizabeth's progress visits, events rich in pageantry and ceremony, John M. Adrian demonstrates how communities communicated their character, as well as their financial and political needs, to noble guests. While previous scholars have studied Elizabeth I and her visits to the homes of influential courtiers, Fêting the Queen places a new emphasis on the civic communities that hosted the monarch and their efforts to secure much needed support. Case studies of the university and cathedral cities of Oxford, Canterbury, Sandwich, Bristol, Worcester, and Norwich focus on the concepts of hospitality and space--including the intimate details of the built environment.

This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a character, this study shows how echoic techniques permeated literary, dramatic, and musical performance in the period, and puts forward echo as a model for engaging with sounds and texts from the past. Starting with sixteenth century translations of myths of Echo from Ovid and Longus, the book moves through the uses of echo in Elizabethan progress entertainments, commercial and court drama, Jacobean court masques, and prose romance. It places the work of well-known dramatists, such as Ben Jonson and John Webster, in the context of broader cultures of performance. The book will be of interest to scholars and students of early modern drama, music, and dance.