From the beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, comes “a gripping, twisty-turny, thrill ride of a read” (Karin Slaughter, New York Times bestselling author) following a young gunslinging mercenary on deadly mission through the American Southwest. In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to locate a low-level magic practitioner believed to be a direct descendant of Grigori Rasputin. As the trio journey through an altered America—shattered into several countries after the assassination of Franklin Roosevelt and the Great Depression—they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose has never failed a client, but this job may stretch her to her deadly limits. “Immersive, involving, suspenseful and intriguing, with a main character you’ll love” (Lee Child, #1 New York Times bestselling author), An Easy Death is a fast-paced thriller of the highest order.

"New talks and essays from the Avatar Adi Da on death and ultimate transcendence; accounts of profound events of yogic death in Avatar Adi Da's own life; stories of his blessing in the death transitions of his devotees" -- Cover.

#1 New York Times bestselling author Charlaine Harris returns with “a gripping, twisty-turny, thrill ride of a read (Karin Slaughter) in which Lizbeth is hired onto a new crew, transporting a crate into Dixie, the self-exiled southeast territory of the former United States. What the crate contains is something so powerful, that forces from across three territories want to possess it. In this second thrilling installment of the Gunnie Rose series, Lizbeth Rose is hired onto a new crew for a seemingly easy protection job. She is tasked with transporting a crate into Dixie, just about the last part of the former United States of America she wants to visit. But what seemed like a straightforward job turns into a massacre as the crate is stolen. Up against a wall in Dixie, where social norms have stepped back into the last century, Lizbeth has to go undercover with an old friend to retrieve the crate as what’s inside can spark a rebellion, if she can get it back in time. “Another winning series from a sure-bet author” (Booklist) Charlaine Harris (Sookie Stackhouse mysteries and Midnight, Texas trilogy) is at her best here, building the world of this alternate history of the United States, where magic is an acknowledged but despised power.

Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.

“Another fun novel full of humor, quirky country sayings, and descriptions of tantalizing comfort food meals” by the author of Biscuits and Slashed Browns (Kings River Life Magazine). Restaurateur Robbie Jordan is ready for the boost in business a local music festival brings to South Lick, Indiana, but the beloved event strikes a sour note when one of the musicians is murdered . . . June’s annual Brown County Bluegrass Festival at the Bill Monroe Music Park in neighboring Beanblossom is always a hit for Robbie’s country store and café, Pans ’N Pancakes. This year, Robbie is even more excited, because she’s launching a new bed and breakfast above her shop. A few festival musicians will be among Robbie’s first guests, along with her father, Roberto, and his wife, Maria. But the celebration is cut short when a performer is found choked to death by a banjo string. Now all the banjo players are featured in a different kind of lineup. To clear their names, Robbie must pair up with an unexpected partner to pick at the clues and find the plucky killer before he can conduct an encore performance . . . Includes Recipes! “Let me tell you the scene with the murderer is epic. Truly, there should be an award for the best encounter and climatic scene in a mystery, this book has it.”—Bibliophile.reviews

Fourteen children offer facts and advice to give young readers a better understanding of death.