This is the story of a young boy, Julius W. (Jay) Mirza, born into a Christian Assyrian Family, living in a Muslim nation, who emigrates from Iran. He and his little brother must leave the bosom of their loving family to seek an education in a foreign country in order to live a better life a life of both personal responsibility and freedom. He must enter a British boy's school in India, without any knowledge of the English language. He will not see his family but once in six years. After graduation, his education takes him first to England, then America, where he graduates with a degree in Architectural Engineering. The heart wrenching sacrifices of his parents for their son's education finds full reward in Jay's success in life his architectural practice his family, his home and his community involvement. This is a story of an immigrant to America for whom, with hard work and dedication, the American dream came true.

For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.

Honour killing, as it is widely understood, is the cold-blooded murder of a woman or a man involved with her, by the male members of her household in order to cleanse the reputation of the family, clan, community or tribe. This violent tradition in the name of religion, custom and culture continues to be carried out in a significantly large part of the world. The majority of people still believe that honour killings happen for reasons such as marriage from choice or a love affair of a kinswoman, rape, a demand for divorce from a woman, or the birth of a female child, all of which are perceived as bringing shame on the family. However, current research on honour killing suggests that there are a number of intriguing and very cleverly knitted plots of jealousy, greed, violence and murder which show that, in the name of honour, various other purposes are being served and people are killed in ways which give the impression that they are honour killings. By collecting data from people involved in such situations, this book opens a Pandora’s box, showing that such killings are carried out not to assuage the hurt honour of a patriarchal society, but to serve a variety of malign intentions, goals and agendas. It will serve to let the world comprehend the phenomenon of honour-related violence where culture and crime unite under the umbrella of highly discriminating laws against women. This book consists of twenty-six testimonies from those involved in honour killings, bringing together interviews with killers, victims and the falsely accused.

“As much as I have traveled, I never knew so much about packing for a trip until I read this book. A fun and fast read!” Willie L. Brown, Jr. Mayor of San Francisco, 1996 – 2004