Humanity is taking its first steps out into the universe, but something otherworldly is happening closer to home. For the young Jake Darling, stories of alien experimentation and lights in the sky have become all too real, and what was once the talk of lunatics is now disturbingly true. The seventh installment of Aethertales, An Ascent to Madness blurs the lines between delusion and reality, recounting the struggle of one boy against a family that refuses to believe him, and the sinister beings that have turned his life into a terrible nightmare.

A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump’s ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.

The 1st in the Dracomantium Collection, featuring 3 codices in 1 tome:* 6. Dracomeroth {Codex Satani}: Written as a result of study and experimentation in The Occult, combining various traditions and "Satanizing" them, truly giving The Devil His due. The rites written therein are a result of both meditation & the application of Greater & Lesser Magical principles which have proven by results to work. Includes The Black Book of Shadows.* 6. The Devil's Scroll {Codex Diaboli}: A collection of misanthropic, Satanically-philosophical essays providing insights into human motivations, social commentary, as well as counter-culture thought.* 6. Satanic Serenades {Codex Noctum}: Infernal Reflections upon both vital existence and mythology, written in a beautiful, sometimes terrifying polemical, imaginative Gothic style, inspiring contemplation & darkest entertainment for those who resonate to The Satanic perspective, and appreciate the sinister aesthetic.Includes previous covers.

All the titles in this collection of revised and reformatted weblogs were originally hosted by a number of blog sites, including, most especially, 'Wordpress.com', and date from 2011. As usual, the author been careful to ensure that the original chronology of weblogs has been, so far as possible, replicated, so that one can proceed through the material with a growing sense of continuity and even thematic enhancement, two crucial advantages of book publication over what may often appear to be the disjunctive if not chronologically unrelated nature of the blogging medium itself. – A Centretruths Editorial

An incredible publishing event: a philosopher draws on his own experience of madness as he takes readers on an unforgettble journey through the philosophy of psychosis and the psychosis of philosophy. In this book, philosopher and linguist Wouter Kusters examines the philosophy of psychosis--and the psychosis of philosophy. By analyzing the experience of psychosis in philosophical terms, Kusters not only emancipates the experience of the psychotic from medical classification, he also emancipates the philosopher from the narrowness of academia, allowing philosphers to engage in real-life praxis, philosophy in vivo. Philosophy and madness--Kusters's preferred, non-medicalized term--coexist, one mirroring the other. Drawing on his own experience of madness--two episodes of psychosis, twenty years apart--Kusters argues that psychosis presents itself to the psychotic as an inescapable truth and reality.

John T. Hamilton investigates how literary, philosophical, and psychological treatments of music and madness challenge the limits of representation, thereby creating a crisis of language. He particularly focuses on the decidedly autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's "Neveu de Rameau," and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Hamilton then traces the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist before turning his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify preceding traditions. Throughout his analysis, Hamilton considers the particular representations that link music and madness, exploring underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences.

In Sanity, Madness, Transformation, Ross Woodman offers an extended reflection on the relationship between sanity and madness in Romantic literature. Woodman is one of the field's most distinguished authorities on psychoanalysis and romanticism. Engaging with the works of Northrop Frye, Jacques Derrida, Sigmund Freud, and Carl Jung, he argues that madness is essential to the writings of William Blake, William Wordsworth, and Percy Shelley, and that it has been likewise fundamental to the emergence of the modern subject in psychoanalysis and literary theory. For Frye, madness threatens humanism, whereas for Derrida its relationship is more complex, and more productive. Both approaches are informed by Freudian and Jungian responses to the psyche, which, in turn, are drawn from an earlier Romantic ambivalence about madness. This work, which began as a collection of Woodman's essays assembled by colleague Joel Faflak, quickly evolved into a new book that approached Romanticism from an original psychoanalytic perspective by returning madness to its proper place in the creative psyche. Sanity, Madness, Transformation is a provocative hybrid of theory, literary criticism, and autobiography and is yet another decisive step in a distinguished academic career.