Artists' Impressions in Architectural Design analyses the ways in which architects have presented their designs for clients and the public, both historically and contemporarily. It spans a period from the fifteenth to the twenty-first century. Architects have become familiar with change. The passage of time has brought with it new and revived styles of architecture, as well as innovative tools and techniques for their representation. The result is that while some methods show a view of the architect's concept for a building, others offer an almost real experience of the intended architecture. This book provides a rare and valuable study in which the exciting technological developments of today are placed in context with the rich heritage of the past. It offers an opportunity to learn how architects have chosen to represent their ideas. The authors dare to glimpse into the future and hopefully offer some reassurance for tomorrow.

Describes the details of design and history of swords.

This book is a summary of the fundamental ideas of representational painting that artists use to help them paint in a realistic manner. These concepts have been passed down from artist to student for generations. The author lists them in order of importance to help the working painter logically solve problems. He has added an "Index of Ideas" to help the artist commit them to memory. The first two sections of the book contain principles of composition and drawing. The main section deals with the impressionistic approach to painting nature in a broad manner with simplicity of detail. The author has included a section on helpful advice to students and an extensive reading list for further research. He also discusses how the artist can train his visual memory. Anyone with an interest in art can read this book and greatly increase their appreciation of classical painting.

Abode of gods, seat of kings and home to many, the city of Thiruvananthapuram is steeped in history.

Using vibrant acrylics on Plexiglas, Dutch artist Anneke Kaai applies paintbrush and collage techniques to give body to her experience of the Psalms. The verses that inspired her paintings appear alongside, taken from The Message by Eugene H. Peterson.