The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment). An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books). By “tell[ing] the story not just of what’s on the screen but of what played out behind it,” Hoberman demonstrates how the nation’s deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe (The American Scholar). From cavalry Westerns to apocalyptic sci-fi flicks, and biblical spectaculars; from movies to media events, congressional hearings and political campaigns, An Army of Phantoms “remind[s] you what criticism is supposed to be: revelatory, reflective and as rapturous as the artwork itself” (Time Out New York). “An epic . . . alternately fevered and measured account of what might be called the primal scene of American cinema.” —Cineaste “There’s something majestic about the reach of Hoberman’s ambitions, the breadth and rigor of his research, and especially the curatorial vision brought to historical data.” —Film Comment

"Phantom Soldier" is now on the U.S. Army's most prestigious pre-deployment reading list for a reason. It won't please those who have come to believe that wars are won and casualties limited through technology, or that the victor's version of one is always correct. But, all U.S. security personnel should read it. Possibly the West's best treatise on Oriental warfare, it sheds new light on what Asian infantry can do: (1) alternate between guerrilla, mobile, and positional warfare; (2) use "ordinary forces" to engage and "extraordinary forces [infiltrators]" to defeat; and then (3) retreat to save lives. What occurred in history doesn't change, but one's perception of it does--as he comes to better understand his former foe. Here's what really happened at Guadalcanal, Iwo Jima, Chosin Reservoir, and Hue City. Those who believe this book's cover art to be fantasy have only to google the term "dac cong." Through how the NVA held their own without resupply, tanks, artillery, or air power, U.S. grunts could better survive the more lethal enemy weaponry of the 21st Century.

Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and beyond. Bookended by the Bicentennial celebrations and the Iran-Contra affair, the period of Reagan's ascendance brought such movie events as Jaws, Apocalypse Now, Blade Runner, Ghostbusters, Blue Velvet, and Back to the Future, as well as the birth of MTV, the Strategic Defense Initiative, and the Second Cold War. An exploration of the synergy between American politics and popular culture, Make My Day is the concluding volume of Hoberman's Found Illusions trilogy; the first volume, The Dream Life, was described by Slate's David Edelstein as "one of the most vital cultural histories I've ever read"; Film Comment called the second, An Army of Phantoms, "utterly compulsive reading." Reagan, a supporting player in Hoberman's previous volumes, here takes center stage as the peer of Indiana Jones and John Rambo, the embodiment of a Hollywood that, even then, no longer existed.

This is a haunting collection of personal encounters with the spirit world as they appeared in FATE magazine. These are tales handed down over the years that have their basis in the horrors of the Civil War.

The Village Voice film critic illuminates the film culture of the 1960s, focusing on key movies such as Dr. Strangelove, Bonnie and Clyde, and The Wild Bunch. Reprint.

At 3 a.m. on February 21, 1865, a band of 65 Confederate horsemen slowly made its way down Greene Street in Cumberland, Maryland. Thinking the riders were disguised Union scouts, the few Union soldiers out that bitterly cold morning paid little attention to them. In the meantime, over 3,500 Yankee soldiers peacefully slept. Within thirty minutes McNeill's Rangers had kidnapped Union generals George Crook and Benjamin Kelley from their hotels and spirited them out of town. Despite a determined effort by Union pursuers to intercept the kidnappers, the Rangers reached safety deep in the South Fork River Valley, over fifty miles away. Not long afterward, the generals were shipped to Richmond's Libby Prison. Southern general John B. Gordon later called the mission "one of the most thrilling incidents of the war." In September 1862, John Hanson McNeill recruited a company of troopers for Col. John D. Imboden's 1st Virginia Partisan Rangers. In early 1863, Imboden took most of his men into the regular army, but McNeill and his son Jesse offered their men an opportunity to continue in independent service; seventeen soldiers joined them. In the coming months, other young hotspurs enlisted in McNeill's Rangers. Operating mostly in the Potomac Highlands of what is now eastern West Virginia, the Rangers bedeviled the Union troops guarding the B&O Railroad line. Favoring American Indian battle tactics, they ambushed patrols, attacked wagon trains, and heavily damaged railroad property and rolling stock. Phantoms of the South Fork is the thrilling result of Steve French's carefully researched study of primary source material, including diaries, memoirs, letters, and period newspaper articles. Additionally, he traveled throughout West Virginia, western Maryland, southern Pennsylvania, and the Shenandoah Valley following the trail of Captain McNeill and his "Phantoms of the South Fork."

In late 1970, Lieutenant Verner "Hershey" Donovan sits aboard the USS Constellation aircraft carrier, waiting to fly his F-4 Phantom II over the skies of Vietnam. He's the lead roll for the next hop and eager to help the U.S. troops already on the ground. Then suddenly, the call comes in a Marine Recon unit has taken heavy fire and requires air support. Within moments, Donvan and the other pilots are into their birds and into the skies. Soon, however, a dogfight with MiG fighter planes takes a turn for the worse, and the lieutenant ejects over enemy territory. His co-pilot is injured in the fall, and Donovan must make a difficult choice. In order to save his friend, he must first leave him behind.