A new generation confronts the ages-old battle between magic and technology in this new chapter of Saberhagen's Empire of the East.

Vulcan the god has a hard task to perform for his bored and restless colleagues — forge 12 magic Swords, quenched with human blood, and scatter them across the world. Each Sword possesses a different power. With them the gods will play a new, grand, and glorious Game. Mere humans foolishly striving for dominion, wealth and glory, are invited to risk their puny lives by joining in. (Later, the gods realize with horror that something has gone wrong in the forging, and with the Game. The Swords are much too powerful, controlling chance, enhancing fortune, changing destiny. And lethal even to their divine creators.) Jord the Smith, drafted to help Vulcan in his task, loses his right arm in the process (receiving the Sword Townsaver as pay). He is too weak to claim Mala, his bride-to-be, who joins a traditional fertility rite, where her partner might be the enigmatic Emperor, his face hidden by a leather mask. Nine months later, she gives birth to Mark. Thirteen years pass, then Townsaver wipes out a raiding party on orange-furred warbeasts, sent to Mark’s village. It falls to Mark to carry the blade away to hide or destroy it.

Sharpen your knowledge of swords with Kristen B. Neuschel as she takes you through a captivating 1,000 years of French and English history. Living by the Sword reveals that warrior culture, with the sword as its ultimate symbol, was deeply rooted in ritual long before the introduction of gunpowder weapons transformed the battlefield. Neuschel argues that objects have agency and that decoding their meaning involves seeing them in motion: bought, sold, exchanged, refurbished, written about, displayed, and used in ceremony. Drawing on evidence about swords (from wills, inventories, records of armories, and treasuries) in the possession of nobles and royalty, she explores the meanings people attached to them from the contexts in which they appeared. These environments included other prestige goods such as tapestries, jewels, and tableware—all used to construct and display status. Living by the Sword draws on an exciting diversity of sources from archaeology, military and social history, literature, and material culture studies to inspire students and educated lay readers (including collectors and reenactors) to stretch the boundaries of what they know as the "war and culture" genre.

 Now the great Mindsword is in play. Murat of Culm with the help of Coinspinner has located the Blade. Knowing Mindsword brings blind devotion to whoever wields it, Murat plans to keep the Sword sheathed until he can gift it to the beautiful Princess Kristin of Tasavalta to win her free affections and to make reparation for a grave past transgression. The power of the Sword and the intentions of the Murat’s son and advisors make for twists and turns in Murat’s once honorable plan. Prince Mark, consort of Kristin, having neglected of his home duties while in the service of his father, finds himself in a struggle for his wife, his kingdom and his loyal friend.

This book tells the story of the last sword ever designed by a major power for its army to use as a weapon, not as an article of a dress uniform. The sword was the U.S. Model 1913 Cavalry Saber; the designer was George S. Patton, then a lieutenant on the staff of the Army chief of staff. Patton participated in the modern pentathlon in Stockholm in 1912, which included fencing, coming fifth overall. No one in the U.S. Army could be better suited, therefore, to design its last major edged weapon. The Last Sword provides an illustrated overview of the history of cavalry swords and their employment on the battlefield from the end of the Renaissance, through the Napoleonic Era, the Mexican-American War, the Civil War, the Spanish-American War, culminating with the Patton cavalry saber, and includes descriptions of a number of the more famous cavalry charges. Patton’s unswerving belief in the value of horse-mounted cavalry, and in the value of those troopers and officers being equipped with the sword he designed, is described using his own words. He continued to advocate horse-mounted cavalry right up to the start of the Second World War. Though mechanized squadrons replaced the conventional cavalry, it was not quite the end of Patton’s sword as some Model 1913 Cavalry Sabers were converted to fighting knives carried by GIs during the war. The book is fully illustrated with images from the collections of the Smithsonian Institution Museum of American History, the Library of Congress, the General George S. Patton Museum, the National Museum of the U.S. Army, the Connecticut Historical Society, and from private collections, most of which have never been published before.