In Almost White, award-winning writer, actor, director, comedian, playwright, and producer Rick Najera explores what it means to be a Latino against the ever-changing backdrop of his life as a Hollywood creative. A bona fide chameleon, this L.A.-based everyman is "Mexican hyphen American" or, as he wryly puts it, "almost white." Recognized twice as one of the "100 Most Influential Hispanics" by Hispanic Business Magazine, Najera has worked with and mentored some of the biggest stars in Hollywood, including Cheech Marin, Jimmy Smits, Mario Lopez, Sofia Vergara, and many more. His funny, sad, and sometimes dark memoir tells his story of breaking into mainstream Hollywood, what it takes to struggle against typecasting, and how to challenge the pessimistic narrative that Latinos can only be disenfranchised victims in America. Driven by a satirical stream of consciousness, Najera's journey exposes universal lessons, from confronting the limits we place on our imaginations, to the need to take ownership of our stories instead of being mere performers in another's distorted vision, and the necessity of rising every day to press forward-no matter what. "In the end," says Najera, "perhaps it will be the power of the people and art, not politicians and politics, that will redefine the Latino American dream."

“I wish I could find the words to tell you the story of our village after you were killed.” So begins Senegal Taxi, the new work by one of contemporary poetry’s most vibrant voices, Juan Felipe Herrera. Known for his activism and writings that bring attention to oppression and injustice, Herrera turns to stories of genocide and hope in Sudan. Senegal Taxi offers the voices of three children escaping the horrors of war in Africa. Unflinching in its honesty, brutality, and beauty, the collection fiercely addresses conflict and childhood, inviting readers to engage in complex and often challenging issues. Senegal Taxi weaves together verse, dialogue, and visual art created by Herrera specifically for the book. Stylistically genre-leaping, these many layers are part of the collection’s innovation. Phantom-like televisions, mud drawings, witness testimonies, insects, and weaponry are all storytellers that join the siblings for a theatrical crescendo. Each poem is told from a different point of view, which Herrera calls “mud drawings,” referring to the evocative symbols of hope the children create as they hide in a cave on their way to Senegal, where they plan to catch a boat to the United States. This collection signals a poignant shift for Herrera as he continues to use his craft to focus attention on global concerns. In so doing, he offers an acknowledgment that the suffering of some is the suffering of all.

For a few brief months during the presidential campaign of 1960, Mexican Americans caught a glimpse of their own Camelot in the promise of John F. Kennedy. Grassroots "Viva Kennedy Clubs" sprang up not only in the southwestern United States but also across California and the upper Midwest to help elect the young Catholic standard bearer. The leaders of the Viva Kennedy Clubs were confident and hopeful that their participation in American democracy would mark the beginning of the end of discrimination, violence, and poverty in the barrio. Although the dream of attaching their own Camelot to Kennedy's ultimately ended in disappointment, these participatory efforts contributed to an identity-building process for Mexican Americans that led to greater emphasis on Americanization for some and to the more radical rhetoric of the Chicano Movement for others. In "Viva Kennedy," Ignacio M. Garcia surveys the background, development, and evolution of the Viva Kennedy Clubs and their post-election incarnation as PASO, the Political Association of Spanish-Speaking Organizations. He argues that patriotic fervor of the 1940s and postwar economic expansion spurred middle-class Mexican Americans to strive for full inclusion in American society. Ironically, those involved in the Viva Kennedy movement showed their militancy in fighting discrimination even as they upheld America's conservative values. They believed that discrimination could be overcome through government actions that recognized their civil rights and through their own political participation. Garcia describes the post-election problems of the Viva Kennedy reformers, who first saw the Kennedy administration ignore its campaign promises to them and then encountered their own factional squabbles, chronic funding problems, and a growing unease among Anglo Americans wary of Mexican American political power. Based on research and interviews with key leaders of the Viva Kennedy movement such as Ed Idar, Jr., Edward R. Roybal, and Albert Pena, Jr., this study unveils a portrait of a people in transition and provides a nuanced picture of twentieth-century Mexican American history.

Beloved bestselling Latino authors, including Esmeralda Santiago, Carolina De Robertis, and Luis Alberto Urrea share moving personal stories of the many ways that sisterly bonds have powerfully impacted their lives. Friendships can bring us peace, fill the emotional shortcomings in our romantic relationships, and help us remember what lies deep inside every one of us. For more than twelve years, the international organization Las Comadres Para Las Americas™ has been bringing together thousands of Latinas to count on, lean on, help, and advise one another. Comadre is a powerful term. It encompasses the most important relationships that exist between women: best friends, confidants, coworkers, advisers, neighbors, godmothers to one’s children, and even midwives. Edited by acclaimed author and editor Adriana V. López, this collection of stories features twelve prominent Latino authors who reveal how friendships have helped them to overcome difficult moments in their lives. Fabiola Santiago, Luis Alberto Urrea, Reyna Grande, and Teresa Rodríguez tell their stories of survival in the United States and in Latin America, where success would have been impossible without a friend’s support. Esmeralda Santiago, Lorraine López, Carolina De Robertis, Daisy Martínez, and Dr. Ana Nogales explore what it means to have a comadre help you through years of struggle and self-discovery. And authors Sofia Quintero, Stephanie Elizondo Griest, and Michelle Herrera Mulligan look at the powerful impact of the humor and humanity that their comadres brought to each one’s life, even in the darkest moments.

Herrera provides a fresh and accessible perspective on the crucial human rights issue of immigration through his poetry, prose, and performance. Catch the 187 Express!

"The Accidental American" vividly illustrates the challenges and contradictions of U.S. immigration policy, and argues that, just as there is a free flow of capital in the world economy, there should be a free flow of labor.

Successful leaders don't rest on the laurels. Leadership must be a living process, and life means growth. "Great Leaders Grow" shows leaders and aspiring leaders precisely which areas to focus on so they can remain effective throughout their lives.