"... updated to address a decade of new scholarship, the book includes a new preface, afterword, and revised and expanded bibliographic essay."--from publisher description.

Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association Co-Winner of the Ralph J. Bunche Award, American Political Science Association In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South. Praise for the previous edition: “Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and structure of slavery worldwide.” —Boston Globe “There can be no doubt that this rich and learned book will reinvigorate debates that have tended to become too empirical and specialized. Patterson has helped to set out the direction for the next decades of interdisciplinary scholarship.” —David Brion Davis, New York Review of Books “This is clearly a major and important work, one which will be widely discussed, cited, and used. I anticipate that it will be considered among the landmarks in the study of slavery, and will be read by historians, sociologists, and anthropologists—as well as many other scholars and students.” —Stanley Engerman

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

Today most Americans, black and white, identify slavery with cotton, the deep South, and the African-American church. But at the beginning of the nineteenth century, after almost two hundred years of African-American life in mainland North America, few slaves grew cotton, lived in the deep South, or embraced Christianity. Many Thousands Gone traces the evolution of black society from the first arrivals in the early seventeenth century through the Revolution. In telling their story, Ira Berlin, a leading historian of southern and African-American life, reintegrates slaves into the history of the American working class and into the tapestry of our nation. Laboring as field hands on tobacco and rice plantations, as skilled artisans in port cities, or soldiers along the frontier, generation after generation of African Americans struggled to create a world of their own in circumstances not of their own making. In a panoramic view that stretches from the North to the Chesapeake Bay and Carolina lowcountry to the Mississippi Valley, Many Thousands Gone reveals the diverse forms that slavery and freedom assumed before cotton was king. We witness the transformation that occurred as the first generations of creole slaves--who worked alongside their owners, free blacks, and indentured whites--gave way to the plantation generations, whose back-breaking labor was the sole engine of their society and whose physical and linguistic isolation sustained African traditions on American soil. As the nature of the slaves' labor changed with place and time, so did the relationship between slave and master, and between slave and society. In this fresh and vivid interpretation, Berlin demonstrates that the meaning of slavery and of race itself was continually renegotiated and redefined, as the nation lurched toward political and economic independence and grappled with the Enlightenment ideals that had inspired its birth.

If you're new to authentic Southern history, or you're just fed up with the mountain of lies, slander, disinformation, and pro-North propaganda found in our South-bashing history books, "Everything You Were Taught About American Slavery is Wrong, Ask a Southerner!" will be a joyful revelation. This important 1,000 page work by award-winning author, Southern historian, and slavery scholar Lochlainn Seabrook decimates the fictitious, deceitful, purposefully misleading view of slavery annually churned out by Yankee mythologists, writers, filmmakers, and bloggers. Lavishly illustrated with over 500 rare and intriguing images, a helpful world slavery time line, and a detailed index of significant historical figures, Mr. Seabrook lays out the truth about the "peculiar institution," a truth that has been nefariously suppressed for centuries by enemies of the South and the politically correct. Did you know, for instance, that Africa was enslaving her own people thousands of years before the transatlantic slave trade; that white American slavery laid the foundation for black American slavery; that Africa enslaved 1.5 million whites in the 1700s; that genuine slavery was never practiced in the American South; that both the American slave trade and slavery got their start in the North; that the American abolition movement began in the South; that five times more blacks fought for the Confederacy than for the Union? Did you know that there were thousands of African-American and Native-American slave owners in early America, and that less than 5 percent of white Southerners owned slaves; that the Emancipation Proclamation did not free a single slave-and was not meant to; that until the last day of his life Abraham Lincoln campaigned to have all blacks deported to Africa; and that Jefferson Davis abolished the foreign slave trade before Lincoln did and adopted a black boy during the War? These and thousands of other little known facts will astound, fascinate, and enlighten. In support of his in-depth research the author provides hundreds of eyewitness accounts - dating from the 1600s to the early 20th Century - firsthand testimony clearly illustrating how American slavery came to be, how it was actually practiced, and how both European-Americans and African-Americans viewed it and experienced it. With 21 chapters, nearly 3,500 endnotes, and a comprehensive 2,000 book bibliography, this well investigated yet easy-to-read work - the result of over 20 years of research - is a must-read for every serious student of American history, Southern history, and American slavery. Its release will require every history book to be rewritten. You will never look at slavery the same way again. The foreword is by African-American educator Barbara G. Marthal, B.A., M.Ed. Civil War scholar Lochlainn Seabrook, a recipient of the prestigious Jefferson Davis Historical Gold Medal and a descendant of numerous Confederate soldiers, is the sixth great-grandson of the Earl of Oxford and the author of over forty popular books for all ages. A seventh-generation Kentuckian of Appalachian heritage who is known as the "new Shelby Foote," Seabrook has a forty-year background in the American Civil War, Confederate studies, Southern biography, and international slavery, and is the author of the companion bestseller, "Everything You Were Taught About the Civil War is Wrong, Ask a Southerner!"

City of Refuge is a story of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities. In his examination of life, commerce, and social activity in the Great Dismal Swamp, Marcus P. Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.