This is the first annotated anthology of Canadian poetry and prose, from the eighteenth century to the present. Volume I contains the work of 40 writers. Some 200 pages are devoted to poetry and 350 pages to prose, which includes not only short fiction but five autobiographical pieces, eight essays of literary criticism, and a play. There are many cross-connections - in related subject matter, in the criticism and memoirs that reflect on other selections - so that the anthology offers a firm context for the study not only of individual writers but of the literary culture of Canada. With introductions to the writers and their works, and annotations.

This book differs from other anthologies of Canadian literature in its inclusion of substantial contextual material; its historical emphasis on the production of Canadian literature; its interdisciplinary approach; its emphasis on intertextual dialogue between selections; its inclusion of popular culture texts, such as song lyrics; and its inclusion of a substantial representation of Canadian First Nations writing within a general Canadian Literature anthology.

Robert Lecker (McGill University), one of the most thoughtful and respected CanadianLiterature scholars in the country, has worked very hard to put together an excitingnew anthology that includes some old favourites and some unexpected surprises! Thisamazing new anthology is centered around tested stories that professors around thecountry have told us work in their classrooms.Open Country, Canadian Literature in English includes poetry and short stories fromearly Canadian Literature to the present. The content is also available in four splits: Canadian Poetry Canadian Short Fiction Canadian Literature: The Beginning to 1950 Canadian Literature: 1950 to the Present.

Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.

This stunning collection of 60 stories--over a century's worth of the best Canadian literature by an extraordinary array of our finest writers--has been selected and is introduced by award-winning writer Jane Urquhart. Urquhart's selection includes stories by major literary figures such as Mavis Gallant, Carol Shields, Alistair MacLeod, and Margaret Atwood, and wonderful stories by younger writers, including Dennis Bock, Joseph Boyden, and Madeleine Thien. This collection is uniquely organized into five parts: the immigrant experience, urban life, family drama, fantasy and metaphor, and celebrating the past.

Arranged chronologically with forty stories in all, the book provides an excellent survey of Canada's leading writers, including a story by Atwood herself ("The Sin Eater"), as well as stories by Morley Callaghan ("Last Spring They Came Over"), Mordecai Richler ("The Summer My Grandmother Was Supposed to Die"), and Stephen Leacock ("The Marine Excursion of the Knights of Pythias"). The book features biographical notes and an index of authors.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends—each of whom is grappling with their own familial complexities and heartache. By turns thrilling and heartbreaking, Tuyen's lost brother—who has since become a criminal in the Thai underworld—journeys to Toronto to find his long-lost family. As Quy's arrival nears, tensions build, friendships are tested, and an unexpected encounter will forever alter the lives of Tuyen and her friends. Gripping at times, heartrending at others, What We All Long For is an ode to a generation of longing and identity, and to the rhythms and pulses of a city and its burgeoning, questioning youth.