Excerpt from An Anatomical Disquisition on the Motion of the Heart Blood in Animals However much the renewal of classical learning in the fourteenth, fifteenth, and sixteenth centuries may have furthered the development of letters and of art, it had anything but a favourable influence on the progress of science. The interest awakened in the literature of Greece and Rome was shown in admiration not only for the works of poets, historians, and orators, but also for those of physicians, anatomists, and astronomers. In consequence scientific investigation was almost wholly restricted to the study of the writings of authors like Aristotle, Hippocrates, Ptolemy, and Galen, and it became the highest ambition to explain and comment upon their teachings, almost an impiety to question them. Independent inquiry, the direct appeal to nature, were thus discouraged, and indeed looked upon with the utmost distrust if their results ran counter to what was found in the works of Aristotle or Galen. This spell of ancient authority was broken by the anatomists of the sixteenth century, who determined at all costs to examine the human body for themselves, and to be guided by what their own observations revealed to them; and it was finally overcome by the independent genius of two men working in very different scientific spheres, Galileo and Harvey. These illustrious observers were contemporaries during the greater part of their lives, and were some years together at the famous University of Padua. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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