"For a calculated 1,400 years, Snaketown was a viable village, but unlike so many tells in the Near East, the people remained the same while their culture changed. The smoothly graded typological sequences for most attributes suggest to me that the ethnic identity of the inhabitants was not interrupted, that they were one and the same people experiencing normal internal evolutionary cultural modifications with occasional boosts of features and ideas newly arrived from the outside." —Emil W. Haury

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.

First Published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

Plog argues that there are many more factors that cause design or stylistic variations on prehistoric artifacts than have been previously acknowledged. Using data primarily from the American Southwest, he shows why the methods of design analysis that have been used are often inappropriate, and presents a new framework of explanation.

A study of the styles of decoration found on the early southwestern pottery known as White Mountain Redware. The White Mountain Redware tradition, an arbitrary division of the Cibola painted pottery tradition, is composed of those vessels which have a red slip and painted decoration in either black or black and white, which when grouped into pottery types have a geographic locus within or immediately adjacent to the Cibola area, and which share a number of other attributes indicative of close historical relationships.

This groundbreaking collaboration between an anthropologist and a mathematician constitutes both a collection of symmetrical pattern designs from many cultures and a monograph on pattern design and the classification of symmetrical patterns. Intended for art historians, anthropologists, classical archaeologists, and others interested in the study of material culture, it can also serve as a reference and inspiration for the use of symmetrical patterns in art and design. "This richly illustrated study brings to light dozens of intriguing examples of symmetrical designs, for instance, in a Zulu loincloth, a Japanese chopstick case, a New England quilt, a Tibetan 'Plaque of a Thousand Lamas,' a Hawaiian water gourd. The same pattern found in a fantastical drawing of lizards by M. C. Escher is echoed in a Fijian basket lid and an Egyptian wall mosaic." — Publishers Weekly "This extremely useful guide to classifying plane pattern designs … is extensively illustrated with carvings, textiles, baskets, tiles, and poetry, which are used as examples of various symmetry patterns." — American Anthropologist "An impressive book—both in terms of its physical appearance and its content ... will undoubtedly become the major reference on the analysis of patterns in terms of symmetry properties." — Antiquity

This volume of proceedings from the fourteenth biennial Southwest Symposium explores different kinds of social interaction that occurred prehistorically across the Southwest. The authors use diverse and innovative approaches and a variety of different data sets to examine the economic, social, and ideological implications of the different forms of interaction, presenting new ways to examine how social interaction and connectivity influenced cultural developments in the Southwest. The book observes social interactions’ role in the diffusion of ideas and material culture; the way different social units, especially households, interacted within and between communities; and the importance of interaction and interconnectivity in understanding the archaeology of the Southwest’s northern periphery. Chapters demonstrate a movement away from strictly economic-driven models of social connectivity and interaction and illustrate that members of social groups lived in dynamic situations that did not always have clear-cut and unwavering boundaries. Social connectivity and interaction were often fluid, changing over time. Interaction and Connectivity in the Greater Southwest is an impressive collection of established and up-and-coming Southwestern archaeologists collaborating to strengthen the theoretical underpinnings of the discipline. It will be of interest to professional and academic archaeologists, as well as researchers with interests in diffusion, identity, cultural transmission, borders, large-scale interaction, or social organization. Contributors: Richard V. N. Ahlstrom, James R. Allison, Jean H. Ballagh, Catherine M. Cameron, Richard Ciolek-Torello, John G. Douglass, Suzanne L. Eckert, Hayward H. Franklin, Patricia A. Gilman, Dennis A. Gilpin, William M. Graves, Kelley A. Hays-Gilpin, Lindsay D. Johansson, Eric Eugene Klucas, Phillip O. Leckman, Myles R. Miller, Barbara J. Mills, Matthew A. Peeples, David A. Phillips Jr., Katie Richards, Heidi Roberts, Thomas R. Rocek, Tammy Stone, Richard K. Talbot, Marc Thompson, David T. Unruh, John A. Ware, Kristina C. Wyckoff