An American Muslim Guide to the Art and Life of Preaching explores the art and craft of creating effective Islamic sermons and delivering them with care, passion, and integrity. The life of the preacher is also addressed, and a model of spiritual formation is provided for those serving Muslim communities of faith in positions of religious leadership. Sultan's vision and approach to preaching is holistic. This book is as much about the knowledge and care placed behind a sermon as it is about the tone, tenor, and shape of that sermon. It is as much about the character of the person delivering these words as it is about the nature and shape of the words themselves. It is as much about tending to the people of faith that fill the worship space as it is about the aesthetics and arrangement of that same space. This means that this book on preaching is not meant for preachers alone. It was written for us all, whether we are called to address and care for a congregation, or we are one of the many called to be part of one. While the book is clearly written for Muslim preachers and Islamic preaching, many of the insights in the book could easily apply to preaching in Christian or other settings. Reflecting on a theology of the spoken word in the Islamic tradition, Martin Nguyen remarks that the sermon in and of itself is not automatically worthy of praise. Rather, its value for the life of faith is measured by its message, its mode of delivery, and the model of living that accompanies it. An appendix to the book includes a collection of duʿāʾs, or supplicatory prayers, that were composed and delivered by women from the Princeton Muslim Life Community.

This book explores the art and craft of delivering Islamic sermons, while also providing a model of spiritual formation for those serving Muslim communities of faith in positions of religious leadership. Special attention is paid to the American Muslim context in which these faith leaders regularly live, operate, and faithfully engage.

Hearing Islam introduces the global religious tradition of Islam through its rich history of sounds and music. The book explores how the centrality of sonic practices and experiences within Islamic traditions stems largely from the orality of the Qur’an and the importance of recitation, while arguing that sound can provide a productive point of entry to human cultures in general. Its tripartite structure guides the reader through the foundations of Islamic traditions and sounds; theoretical frameworks of orality, listening, and deafness; and some of the major types of sonic practices and genres related to Islam, such as chanting the Islamic poetic tradition, South Asian qawwali, and hip-hop. This cutting-edge textbook is the go-to volume for students of Islam and sound, Islamic studies, religion and sound, and the practice of Islam.

For many Muslims, there is an inseparable connection between sound and meaning, particularly when it comes to Islamic verse and scripture. This provides fertile ground for a comparative study across traditions and forms. Timur Yuskaev offers a meditation on the Qur’an and human sensibilities, heard together, in American Muslim sermons. Foregrounding sound, poetry and music, it is a cultural anthropology of the Qur’an, carried out in conversation with colleagues in multiple disciplines, including Religions in America, Qur’anic, Islamic, Memory, Communication, and Sound Studies. The author draws upon the works of Mikhail Bakhtin, Charles Long, Mary Douglas and many others to hear mysticism in a homiletic symphony by Warith Deen Mohammed, to sense the experience of the covenant in a three-minute, ribbon-cutting speech by Aras Konjhodzic, and to appreciate the Qur’anic musicality of a down-to-earth interfaith address by Sarah Sayeed. A creative guide to an organic engagement with texts, this book will be of particular interest to those studying scriptures and the Qur’an.

BONUS: This eBook includes downloadable videos and a Q&A with Nabeel Qureshi that are not found in the print edition. Having shared his journey of faith in the New York Times bestselling Seeking Allah, Finding Jesus, Nabeel Qureshi now examines Islam and Christianity in detail, exploring areas of crucial conflict and unpacking the relevant evidence. In this anticipated follow-up book, Nabeel reveals what he discovered in the decade following his conversion, providing a thorough and careful comparison of the evidence for Islam and Christianity--evidence that wrenched his heart and transformed his life. In Seeking Allah, Finding Jesus, Nabeel Qureshi recounted his dramatic journey, describing his departure from Islam and his decision to follow Christ. In the years that followed, he realized that the world’s two largest religions are far more different than they initially appeared. No God but One: Allah or Jesus? addresses the most important questions at the interface of Islam and Christianity: How do the two religions differ? Are the differences significant? Can we be confident that either Christianity or Islam is true? And most important, is it worth sacrificing everything for the truth? Nabeel shares stories from his life and ministry, casts new light on current events, and explores pivotal incidents in the histories of both religions, providing a resource that is gripping and thought-provoking, respectful and challenging. Both Islam and Christianity teach that there is No God but One, but who deserves to be worshiped, Allah or Jesus? This eBook includes the full text of the book plus bonus content not found in the softcover! Bonuses include a Q&A with Nabeel Qureshi and downloadable videos that answer important questions about Islam and Christianity. Please note that some e-reader devices do not accommodate video play. You can still access the bonus videos by copying the web address provided into an internet browser on a device or computer that accommodates video content.

This book aims to bring Muslim theology into the present day. Rather than a purely academic pursuit, Modern Muslim Theology argues that theology is a creative process and discusses how the Islamic tradition can help contemporary practitioners negotiate their relationships with God, with one another, and with the rest of creation.

Linking discontent and unrest in Harlem and Los Angeles to anticolonial revolution in Algeria, Egypt, and elsewhere, Black leaders in the United States have frequently looked to the anti-imperialist movements and antiracist rhetoric of the Muslim Third World for inspiration. Daulatzai maps the shared history between Black Muslims, Black radicals, and the Muslim Third World, showing how Black artists and activists imagined themselves not as national minorities but as part of a global majority, connected to larger communities of resistance. From publisher description.