This book provides a description of an American missionary community in China during the years 1895-1905.

Describes an American missionary community in China during the years 1895-1905.

"Empire of the Dharma explores the dynamic relationship between Korean and Japanese Buddhists in the years leading up to the Japanese annexation of Korea. Conventional narratives cast this relationship in politicized terms, with Korean Buddhists portrayed as complicit in the “religious annexation” of the peninsula. However, this view fails to account for the diverse visions, interests, and strategies that drove both sides. Hwansoo Ilmee Kim complicates this politicized account of religious interchange by reexamining the “alliance” forged in 1910 between the Japanese Soto sect and the Korean Wonjong order. The author argues that their ties involved not so much political ideology as mutual benefit. Both wished to strengthen Buddhism’s precarious position within Korean society and curb Christianity’s growing influence. Korean Buddhist monastics sought to leverage Japanese resources as a way of advancing themselves and their temples, and missionaries of Japanese Buddhist sects competed with one another to dominate Buddhism on the peninsula. This strategic alliance pushed both sides to confront new ideas about the place of religion in modern society and framed the way that many Korean and Japanese Buddhists came to think about the future of their shared religion."

At a telling moment in the development of American East Asia policy, the dream of a Christian China, made vivid by the utterances of returned missionaries, fired the imagination of the general public, influenced opinion leaders and policymakers, and furthered the Open Door doctrine. Missionary-inspired enthusiasm for China ran parallel to the different attitude of the American business community, which viewed Japan as the more appropriate focus of American interest in East Asia. During the five years here examined, the religious mentality proved stronger than the commercial mentality in influencing American policy toward the Chinese Republican Revolution and the Twenty-one Demands of 1915. James Reed’s treatment of the struggle between William Jennings Bryan and Robert Lansing over the Japanese demands in China is detailed and penetrating. This book builds on the work of Akira Iriye, Michael Hunt, Ernest May, and others in its analysis of cultural attitudes, business affairs, and the mindset of the foreign policy elites. Its thesis—that the Protestant missionary movement profoundly shaped the course of our historical relations with East Asia—will interest both specialists and general readers.

The main theme of this book is the interaction between two “places,” China and Guanzhong, the capital area of several dynasties. It addresses such questions as What do we mean by “local”? Did the inhabitants of a locality believe that being “local” required them to assume a certain identity? If so, how did they talk and write about it? Were there spatial and temporal differences in the representation of locales? This work examines how Guanzhong literati conceptualized three sets of relations: central/regional, “official”/“unofficial,” and national/local. It further traces the formation over the last millennium of the imperial state of a critical communal self-consciousness, the role of this consciousness in constructing a local identity and promoting an “unofficial” space for nonofficial elite activism, and the effect of the presence (or absence) of this consciousness on literati views of central-regional relationships. The issue here is not whether there can be a shared national culture, but whether this culture can be perceived as having regional variations and therefore contributing to the formation of a local identity.

"The Great Depression was a global phenomenon: every economy linked to international financial and commodity markets suffered. The aim of this book is not merely to show that China could not escape the consequences of drastic declines in financial flows and trade but also to offer a new perspective for understanding modern Chinese history. The Great Depression was a watershed in modern China. China was the only country on the silver standard in an international monetary system dominated by the gold standard.Fluctuations in international silver prices undermined China’s monetary system and destabilized its economy. In response to severe deflation, the state shifted its position toward the market from laissez-faire to committed intervention. Establishing a new monetary system, with a different foreign-exchange standard, required deliberate government management; ultimately the process of economic recovery and monetary change politicized the entire Chinese economy. By analyzing the impact of the slump and the process of recovery, this book examines the transformation of state–market relations in light of the linkages between the Chinese and the world economy."

"The literary career of Uchida Hyakken (1889–1971) encompassed a wide variety of styles and genres, including fiction, zuihitsu (essays), war diaries, poetry, travelogues, and children’s stories. In discussing his oeuvre, critics have circumscribed Hyakken to a private literary realm detached from the era in which he wrote. Rachel DiNitto provides a critical corrective by locating in Hyakken’s simple yet powerful literary language a new way to appreciate the various literary reactions to the modernization of the early decades of the twentieth century and a means to open up a literary space of protest, an alternate intellectual response to the era of militarism. This book takes up Hyakken’s fiction and essays written during Japan’s prewar years to investigate the intersection of his literature with the material and discursive surroundings of the time: a consumer-oriented print culture; the popular entertainment of film; the capitalist and cultural force of an emergent middle class; a planned, yet sprawling metropolis; and the war machine of an expanding Japanese empire. Emerging from this analysis is a writer who relied on the quotidian language of the everyday and the symbols of cultural modernism to counter the harsh realities of modernization and imperialism and to express sentiments contrary to the mainstream ideological rhetoric of the time."