In 1932 Zara Witkin, a prominent American engineer, set off for the Soviet Union with two goals: to help build a society more just and rational than the bankrupt capitalist system at home, and to seek out the beautiful film star Emma Tsesarskaia. His memoirs offer a detailed view of Stalin's bureaucracy—entrenched planners who snubbed new methods; construction bosses whose cover-ups led to terrible disasters; engineers who plagiarized Witkin's work; workers whose pride was defeated. Punctuating this document is the tale of Witkin's passion for Tsesarskaia and the record of his friendships with journalist Eugene Lyons, planner Ernst May, and others. Witkin felt beaten in the end by the lethargy and corruption choking the greatest social experiment in history, and by a pervasive evil—the suppression of human rights and dignity by a relentless dictatorship. Finally breaking his spirit was the dissolution of his romance with Emma, his "Dark Goddess." In his lively introduction, Michael Gelb provides the historical context of Witkin's experience, details of his personal life, and insights offered by Emma Tsesarskaia in an interview in 1989.

Witkin's memoirs offer a detailed view of the inner workings of Stalin's bureaucracy- of entrenched planners who refused to try new methods; of construction bosses whose coverups led to terrible disasters; of rival engineers who plagiarized Witkin's work; of workers too defeated to take pride in their own labor.

A “fascinating” account of how Gorky, Pasternak, and other great writers were coerced to create propaganda for Stalin (Cleveland Plain Dealer). Sunday Times Best Travel Book of the Year In the Soviet Union, writers of renown, described by Stalin as “engineers of the soul,” were encouraged to sing the praises of canal and dam construction under titles such as Energy: The Hydraulic Power Station and Onward, Time! But their enthusiasm—spontaneous and idealistic at first—soon became obligatory, and as these colossal waterworks led to slavery and destruction, Soviet writers such as Maxim Gorky, Isaak Babel, Konstantin Paustovsky, and Boris Pasternak were forced to labor on in the service of a deluded totalitarian society. Combining investigative journalism with literary history, Engineers of the Soul is a journey through contemporary Russia and Soviet-era literature. Frank Westerman, a correspondent living in post-Communist Moscow, examines both the culture landscape under Stalin’s rule and the books—and lives—of writers caught in the wheels of the Soviet system as art and reality were bent to radically new purposes. “Engagingly written and extensively researched, the book covers compelling historical and literary ground.” —Financial Times “A detailed and enthralling account of his journey through Soviet literature including discovering the revolution’s best kept secrets while trying to appreciate the talented writers who created a web of deceit in the name of success.” —Publishers Weekly “A literary travelogue revealing a remarkable geography and a strange, fraught alliance when the pen was not as mighty as the hammer and sickle of the Soviet Union . . . insightful.” —Kirkus Reviews

Focusing on life and work after the author's release in 1935 from a Soviet labor camp, his story is told chronologically, and begins with his difficulties finding a job in the Russian provinces. This memoir may be most valuable for what it reveals about Russian society and economy and the indomitable creativity with which ordinary people sustained both their lives.

Engineering Communism is the fascinating story of Joel Barr and Alfred Sarant, dedicated Communists and members of the Rosenberg spy ring, who stole information from the United States during World War II that proved crucial to building the first advanced weapons systems in the USSR. On the brink of arrest, they escaped with KGB’s help and eluded American intelligence for decades. Drawing on extensive interviews with Barr and new archival evidence, Steve Usdin explains why Barr and Sarant became spies, how they obtained military secrets, and how FBI blunders led to their escape. He chronicles their pioneering role in the Soviet computer industry, including their success in convincing Nikita Khrushchev to build a secret Silicon Valley. The book is rich with details of Barr’s and Sarant’s intriguing andexciting personal lives, their families, as well as their integration into Russian society. Engineering Communism follows the two spies through Sarant’s death and Barr’s unbelievable return to the United States.

Stalin ordered his execution, but here Peter Palchinsky has the last word. As if rising from an uneasy grave, Palchinsky’s ghost leads us through the miasma of Soviet technology and industry, pointing out the mistakes he condemned in his time, the corruption and collapse he predicted, the ultimate price paid for silencing those who were not afraid to speak out. The story of this visionary engineer’s life and work, as Loren Graham relates it, is also the story of the Soviet Union’s industrial promise and failure. We meet Palchinsky in pre-Revolutionary Russia, immersed in protests against the miserable lot of laborers in the tsarist state, protests destined to echo ironically during the Soviet worker’s paradise. Exiled from the country, pardoned and welcomed back at the outbreak of World War I, the engineer joined the ranks of the Revolutionary government, only to find it no more open to criticism than the previous regime. His turbulent career offers us a window on debates over industrialization. Graham highlights the harsh irrationalities built into the Soviet system—the world’s most inefficient steel mill in Magnitogorsk, the gigantic and ill-conceived hydroelectric plant on the Dnieper River, the infamously cruel and mislocated construction of the White Sea Canal. Time and again, we see the effects of policies that ignore not only the workers’ and consumers’ needs but also sound management and engineering precepts. And we see Palchinsky’s criticism and advice, persistently given, consistently ignored, continue to haunt the Soviet Union right up to its dissolution in 1991. The story of a man whose gifts and character set him in the path of history, The Ghost of the Executed Engineer is also a cautionary tale about the fate of an engineering that disregards social and human issues.