"An expansive and captivating history of an often overlooked traditional art"—Egyptian Streets In the crowded center of Historic Cairo lies a covered market lined with wonderful textiles sewn by hand in brilliant colors and intricate patterns. This is the Street of the Tentmakers, the home of the Egyptian appliqué art known as khayamiya. The Tentmakers of Cairo brings together the stories of the tentmakers and their extraordinary tents—from the huge tent pavilions, or suradeq, of the streets of Egypt, to the souvenirs of the First World War and textile artworks celebrated by quilters around the world. It traces the origins and aesthetics of the khayamiya textiles that enlivened the ceremonial tents of the Fatimid, Mamluk, and Ottoman dynasties, exploring the ways in which they challenged conventions under new patrons and technologies, inspired the paper cut-outs of Henri Matisse, and continue to preserve a legacy of skilled handcraft in an age of relentless mass production. Drawing on historical literature, interviews with tentmakers, and analysis of khayamiya from around the world, the authors reveal the stories of this unique and spectacular Egyptian textile art.

The Cambridge History of Egypt offers the first comprehensive English-language treatment of Egyptian history through thirteen centuries, from the Arab conquest to the present day. The two-volume survey considers the political, socio-economic, and cultural history of the world's oldest state, summarizing the debates and providing insight into current controversies. As today's Egypt reclaims a leading role in the Islamic, Arab, and Afro-Asian worlds, the project stands as testimony to its complex and vibrant past. Volume 2 traces Egypt's modern history from the Ottoman conquest to the end of the twentieth century. A wide range of scholars from the humanities and social sciences have been brought together to explore the history of the period. Their conclusions reflect the work of traditional scholarship and also indicate present trends and future directions in historical writing in Egypt.

In a lucidly argued revisionist study of Ottoman Egypt, first published in 1996, Jane Hathaway challenges the traditional view that Egypt's military elite constituted a revival of the institutions of the Mamluk sultanate. The author contends that the framework within which this elite operated was the household, a conglomerate of patron-client ties that took various forms. In this respect, she argues, Egypt's elite represented a provincial variation on an empire-wide, household-based political culture. The study focuses on the Qazdagli household. Originally, a largely Anatolian contingent within Egypt's Janissary regiment, the Qazdaglis dominated Egypt by the late eighteenth century. Using Turkish and Arabic archival sources, Jane Hathaway sheds light on the manner in which the Qazdaglis exploited the Janissary rank hierarchy, while forming strategic alliances through marriage, commercial partnerships and the patronage of palace eunuchs.

A study of prohibitions: why they fail, how they begin, what causes them, who benefits, the methods and results. Drug wars are not only failures, they are counterproductive and are associated with regime change. They are motivated by political jealousy, social disruption, bad medicine, economic greed and religious hysteria.