How did the British come to conquer South Asia in the late eighteenth and early nineteenth centuries? Answers to this question usually start in northern India, neglecting the dramatic events that marked Britain’s contemporaneous subjugation of the island of Sri Lanka. In Islanded, Sujit Sivasundaram reconsiders the arrival of British rule in South Asia as a dynamic and unfinished process of territorialization and state building, revealing that the British colonial project was framed by the island’s traditions and maritime placement and built in part on the model they provided. Using palm-leaf manuscripts from Sri Lanka to read the official colonial archive, Sivasundaram tells the story of two sets of islanders in combat and collaboration. He explores how the British organized the process of “islanding”: they aimed to create a separable unit of colonial governance and trade in keeping with conceptions of ethnology, culture, and geography. But rather than serving as a radical rupture, he reveals, islanding recycled traditions the British learned from Kandy, a kingdom in the Sri Lankan highlands whose customs—from strategies of war to views of nature—fascinated the British. Picking up a range of unusual themes, from migration, orientalism, and ethnography to botany, medicine, and education, Islanded is an engaging retelling of the advent of British rule.

Robert Knox was travelling with his father in 1659 on the latter's journey homeward from his post with the British East India Company at Fort St. George when a storm obliged their ship to put into Cottier Bay, Ceylon. The two were detained as prisoners along with 14 others, and carried into the interior of the island. Knox's father died in 1661, but Knox himself remained a prisoner at large for over 19 years, supporting himself by knitting caps, lending out corn and rice, and hawking goods about the country. Though the rajah pressed him to enter his service, Knox resisted, and finally escaped to the Dutch settlement at Arippu on the north-west of the island. Reaching England in 1680, he entrusted the manuscript of this account to Robert Hooke, and enlisted in the East India Company, for further adventures in an already adventuresome life. These engravings include depictions of agricultural techniques, two native primates, customs and costumes and an execution being carried out by an elephant.

The Teardrop Island follows in the footsteps of the eccentric Victorian James Emerson Tennent, along a route which takes Cherry to pilgrimage trails, tea estates, and rural regions inhabited by indigenous tribes, and through areas of the former warzone, delving under the surface of the contemporary culture via cricket matches and fortune tellers.