Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Excerpt from An Account of the Crustacea of Norway, Vol. 8: With Short Descriptions and Figures of All the Species As to the two anomalous groups treated of in the present Volume, no record whatever has as yet been given on the Norwegian forms belonging to them. I will not omit, also on this occasion, to tender my most sincere thanks to the Direction of the Bergen Museum for the interest, it still shows for the progress of my work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from An Account of the Crustacea of Norway, With Short Descriptions and Figures of All the Species, Vol. 6: Copepoda Cyclopoida, Parts I and II, Oithonidæ, Cyclopinidæ, Cyclopidæ (Part) The last pair of legs are always very small and simple in structure, being in most cases exactly alike in the two sexes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from An Account of the Crustacea of Norway, Vol. 6: With Short Descriptions and Figures of All the Species As to the plates accompanying the present Volume, they are, as will be seen, reproduced in quite a different manner from those in the preceding Volumes, where the autographic method has been applied throughout. This latter method may indeed give very good results, as seen from some of the earlier Volumes of the present work. But the method involves some danger for the clearness of the drawings, if not the outmost care is taken in their transfer on the stone. I have been very sorry to see that several of the plates accompanying the last (5th) Volume, for want of an habile and experienced printer, have been less satisfactorily reproduced, and I therefore have thought it right to abandon this method altogether and to chose another method, the phototypic one, which, though somewhat more costy, will better ensure the perfect reproduction of my drawings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.