At the height of her career, Bell journeyed into the heart of the Middle East retracing the steps of the ancient rulers who left tangible markers of their presence in the form of castles, palaces, mosques, tombs and temples. Among the many sites she visited were Ephesus, Binbirkilise and Carchemish in modern-day Turkey as well as Ukhaidir, Babylon and Najaf within the borders of modern Iraq. Lisa Cooper here explores Bell's achievements, emphasizing the tenacious, inquisitive side of her extraordinary personality, the breadth of her knowledge and her overall contribution to the archaeology of the Middle East. Featuring many of Bell's own photographs, this is a unique portrait of a remarkable life.

While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.

This small book, first published in 1926, is comprised of three lectures on the American Revolution considered as a Social Movement, which were delivered by renowned historian and author J. Franklin Jameson in November 1925 on the Louis Clark Vanuxem foundation. In the fourth and final chapter, Jameson sums up and provides thoughts in conclusion. Proving to be an influential publication, the book expresses themes that Jameson had been developing since the 1890s, and which reflected the “Progressive” historiography. It downplays ideas and political values and stresses that the Revolution was a fight over power among economic interest groups, especially as to who would rule at home. “This is a small but highly significant book by one of the first scholars of America...A truly notable book, this is, carefully organized, cut with a diamond point to a finish, studded with novel illustrative materials, gleaming with new illumination, serenely engaging in style, and sparingly garnished with genial humor.”—CHARLES A. BEARD “...stands as a landmark in recent American historiography, a slender but unmistakable signpost, pointing a new direction for historical research and interpretation...The influence of this little book with the long title has grown steadily...With the passage of a quarter-century, the book has achieved the standing of a minor classic. One will hardly find a textbook that does not paraphrase or quote Jameson’s words, borrow his illustrations, cite him in its bibliography.”—FREDERICK B. TOLLES in The American Historical Review “The scholarship is impeccable, the style is polished, and, above all, the outlook is broad and thoughtful...The author has a keen eye for relationships which might easily be neglected.”—ALLAN NEVINS

This detailed study of the early Mohammadan Architecture explores the fortress of Al-Ukhaidir situated in the south of Karbala, Iraq. It is an enormous, rectangular fortress built in 775 A.D. with a remarkable defensive style and represents Abbasid architectural innovation in the designs of its courtyards, residences, and mosque. The writer covers the fascinating topic in simple words, free of any technicalities for the general readers to grasp the information quickly. Contents include: Ukhaiḍir Qṣair, Mudjḍah, And 'Aṭshân Qaṣr-I-shîrîn Genesis Of the Early Mohammadan Palace The Façade The Mosque The Date of Ukhaiḍir