Examine the infinite variety of charms and fetishes found in every civilization, from the distant past to the present. Learn the entire history of these tools, their geography, how they are part of each man and woman's search for connection with spiritual forces, and how to make and use them. Loaded with hundreds of illustrations, this is the ultimate reference guide.

A fresh examination of one of the most contentious issues in runic scholarship - magical or not? The runic alphabet, in use for well over a thousand years, was employed by various Germanic groups in a variety of ways, including, inevitably, for superstitious and magical rites. Formulaic runic words were inscribed onto small items that could be carried for good luck; runic charms were carved on metal or wooden amulets to ensure peace or prosperity. There are invocations and allusions to pagan and Christian gods and heroes, to spirits of disease, and even to potential lovers. Few such texts are completely unique to Germanic society, and in fact, most of the runic amulets considered in this book show wide-ranging parallels from a variety of European cultures. The question ofwhether runes were magical or not has divided scholarship in the area. Early criticism embraced fantastic notions of runic magic - leading not just to a healthy scepticism, but in some cases to a complete denial of any magical element whatsoever in the runic inscriptions. This book seeks to re-evaulate the whole question of runic sorcery, attested to not only in the medieval Norse literature dealing with runes but primarily in the fascinating magical texts of the runic inscriptions themselves. Dr MINDY MCLEOD teaches in the Department of Linguistics, Deakin University, Melbourne; Dr BERNARD MEES teaches in the Department of History at the University of Melbourne.

Kazu Kibuishi's #1 NEW YORK TIMES bestselling series is now available in eBook! After the tragic death of their father, Emily and Navin move with their mother to the home of her deceased great-grandfather, but the strange house proves to be dangerous. Before long, a sinister creature lures the kids' mom through a door in the basement. Em and Navin, desperate not to lose her, follow her into an underground world inhabited by strange creatures, robots, and talking animals.Eventually, they enlist the help of a small mechanical rabbit named Miskit. Together with Miskit, they face the most terrifying monster of all, and Em finally has the chance to save someone she loves.

“A” is for more than just Apple in this exuberant and interactive alphabet book from the creators of Cloudy with a Chance of Meatballs. “A is for Apple…” but what else does it stand for? There are Avalanches of things that start with “A”: Artichokes! Airplanes! Aliens! What about C? D? E, F, and G? There are Cans of things that start with C, Dozens of Ds, Endless Es, whole Flocks of Fs, and, you guessed it, Globs of Gs. No sir, this is not your typical alphabet book. Filled with clever alliteration and vibrant illustrations, readers can sleuth their way through this vocabulary-expanding picture book and just might find their vocabulary reaching…excessive…heights.

Comparing amulets over time and space, this volume focuses on the function of written words on these fascinating artefacts. Ranging from Roman Egypt to the Middle Ages and the Modern period, this book provides an overview on these artefacts in the Mediterranean world and beyond, including Europe, Iran, and Turkey. A deep analysis of the textuality of amulets provides comparative information on themes and structures of the religious traditions examined. A strong emphasis is placed on the material features of the amulets and their connections to ritual purposes. The textual content, as well as other characteristics, is examined systematically, in order to establish patterns of influence and diffusion. The question of production, which includes the relationships that linked professional magicians, artists and craftsmen to their clientele, is also discussed, as well as the sacred and cultural economies involved.