Beautifully illustrated introduction and overview to the collections of the Albany Institute of History and Art

A startlingly original synthesis of keen observation and interpretive skill that will transform one s understanding of New England s man-made landscape"

Published under the auspices of the American Revolution Institute of the Society of the Cincinnati, Freedom: The Enduring Importance of the American Revolution is a narrative history of the War for Independence. It tells the pivotal story of the courageous men and women who risked their lives to create a new nation based on the idea that government should serve people and protect their freedom. Written for Americans intent on understanding our national origins, but also appropriate for teachers and secondary classrooms, Freedom argues that the American Revolution is the central event in our history: the turning point between our colonial origins and our national experience. This volume includes 167 full-color paintings, maps, illustrations, and photos—many of them seen only in historical institutions across the country! The Freedom narrative spans from the American Revolution’s origins in the nature of colonial British America—a society in which freedom was limited and in which everyone was the subject of a distant monarch—through the crisis in the British Empire that followed the French and Indian War, to the events of the War for Independence itself, and ultimately to the creation of the first great republic in modern history. This is the story of how Americans came to fight for their freedom and became a united people, with a shared history and national identity, and how a generation of founders expressed ideals of liberty, equality, natural and civil rights, and responsible citizenship: ideals that have shaped our history and will shape our future—and the future of the world.

The first major work to identify the original generation of American geographers—teachers, writers, surveyors, cartographers, engravers, and others—who made significant contributions to the field of geography during the early years of the republic. As such, it represents a powerful research tool for scholars interested in learning about this group and the products of their labors. A comprehensive and inclusive reference work, this book depicts the individuals who engaged in the establishment and description of the United States. It includes information on people who were involved in activities that led to a remarkable body of information, maps, and literature of a geographic nature about the country.

Excerpted from Davis' History of Wallingford, Conn., this work treats some seventy early Wallingford families. Each family history commences with a paragraph on the origins and background of the earliest known settler and proceeds from there with a recitation of descents until all available data are either brought up to date or exhausted. The families treated in the work are as follows: Abernathy, Alling/Allen, Andrews, Atwater, Bartholomew, Beach, Beadles, Bellamy, Benham, Blakeslee, Bristol, Brockett, Bunnel, Carrington, Clark, Cook, Cowles/Coles, Culver, Curtis, Doolittle, Dutton, Fenn, Foot, Gaylord, Hall, Hart, Hitchcock, Holt, Hotchkiss, Hough, How, Hull, Humiston, Ives, Johnson, Jones, Kirkland, Lewis, Martin, Mattoon, Merriman, Miles, Mix, Moss, Munson, Noyes, Parker, Preston, Reynolds, Royce, Stanley, Street, Thompson, Thorp, Tuttle, Tyler, Whittelsey, and Wilcox. With a new index of 7,500 names.

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.