Examines Lucan's literary adaptation of the cosmological dialectic of Love and Strife

This is a full-scale edition (the first in nearly 70 years) of the first book of Lucan's De Bello Civili, an important and influential epic poem written in the 60s AD, which recounts the civil war between Julius Caesar and Pompey in the years 49-45 BC. The volume includes an introduction, text with apparatus criticus, and commentary. The introduction provides the reader with a number of the most important contexts for understanding Lucan's subject matter and his approach to this material. The commentary pays particular attention to interpretative, linguistic, literary, historical, social, and philosophical issues arising from the narrative of Book 1.

This is a full-scale edition (the first in nearly 70 years) of the first book of Lucan's De Bello Civili, an important and influential epic poem written in the 60s AD, which recounts the civil war between Julius Caesar and Pompey in the years 49-45 BC. The volume includes an introduction, text with apparatus criticus, and commentary. The introduction provides the reader with a number of the most important contexts for understanding Lucan's subject matter and his approach to this material. The commentary pays particular attention to interpretative, linguistic, literary, historical, social, and philosophical issues arising from the narrative of Book 1.

Statius' Achilleid is the most extensive treatment of the myth of Achilles hiding disguised as a girl on the island of Scyros. In the Achilleid, the hero, who had been trained to be an outstanding warrior by the centaur Chiron, complies with a scheme devised by his divine mother, Thetis, who does not want him to sail to Troy since her son is fated to die there. She proposes that he dress as a girl in order to hide himself from the Greeks who wish to enlist him in the martial expedition; despite his inclinations developed by Chiron, Achilles acquiesces, but only in order to pursue his desire for the princess Deidamia. Odysseus and Diomedes, sent by the Greek army, come to Scyros to reclaim Achilles, and the poem depicts the struggles faced by Deidamia and Achilles' future comrades as they coax him in opposite directions. While Achilles tries to sort out his desires, he reflects upon love, family, social obligations, and the lessons that have been imparted to him. Throughout the Middle Ages and up to the current day, Statius' depiction of the great Greek hero has attracted artistic and scholarly attention for its treatment of themes such as education, heroism, fate, and gender and sexuality. Statius' poem, written at the end of the first century CE, also engages deeply with the entirety of the Greek and Roman literary traditions--in particular, epic poems such as the Iliad, the Odyssey, Vergil's Aeneid, and Ovid's Metamorphoses. The Achilleid's reworking of these earlier poems amounts to a tour-de-force reconsideration of the entire genre of epic poetry. This new edition of the Achilleid contains an extensive introduction (encompassing mythological background, details about Statius' language and meter, and a survey of the reception of the poem since late antiquity), a Latin text (based upon recent scholarship) with facing-page English translation, and the first full-scale commentary in English in nearly 70 years.

This is the first book-length study to reconstruct the role of women in the epic poems of the Flavian period of Latin literature. Antony Augoustakis examines the role of female characters from the perspective of Julia Kristeva's theories on foreign otherness and motherhood to underscore the on-going negotiation between same and other in the Roman literary imagination as a telling reflection on the construction of Roman identity and of gender and cultural hierarchies.

Originally published in 1955, this book contains the Latin text of the first book of Lucan's Pharsalia or De bello civili. It also provides a biography of Lucan, an assessment of his ostensibly hero-less epic, and the historical sources informing the narrative, as well as explanatory notes on the text and a critical apparatus.