More than 1,000 years of classic Korean poetry written in Chinese.

Kim Ch'un-Su is one of the most original poets in modern Korean poetry. He was influenced by Rilke for a while, but embarked on a series of his own poetic experiments culminating in what he calls the poetry of meaning. An avowed purist, he would not believe in ideas, ideologies, or even history. His poems, in consequence, tend to present only moments of vivid sensations and fantasies refracted through his consciousness. Kim has won the Modern Korean Literature Translation Award and the Poetry Prize in Korea. This volume contains a selection of all the phases of Kim Chun-Su (made in terms of commmunicability and presentability).

The rugged landscape of Baronia on Sardinia sets the scene for this novel of crime, guilt and retribution. This novel presents the story of the Pintor sisters - from a family of noble landowners now in decline - their nephew Giacinto, and their servant Efix, who is trying to make up for a mysterious sin committed many years before. Around, below, and inside them the raging Mediterranean storms, the jagged mountains, the murmuring forests, and the gushing springs form a Greek chorus of witness to the tragic drama of this unforgiving land. Deledda tells her story with her characteristic love of the natural landscape and fascination with the folk culture of the island, with details about the famous religious festivals held in mountain encampments and the lore of the "dark beings who populate the Sardinian night, the fairies who live in rocks and caves, and the sprites with seven red caps who bother sleep." Introduction by the Sardinian ethnographer, Dolores Turchi.

In five short centuries, the mighty Empire of the Méxica, descendants of the ancient Aztecs allied with Imperial Japan, has spread out to conquer the Earth, left the homeworld, and set its sights on the stars. But the universe is a dangerous place, filled with hidden powers and the relics of ancient civilizations. The Méxica are only the latest of the great Imperial powers to reach for the stars. But that doesn't stop Imperial Méxica from claiming control. Xenoarcheologist Gretchen Anderssen had hoped to enjoy her well-earned vacation. She hadn't seen her home-world or her children for many months. But the Company has other plans for her - when she checks in for her transport, she finds new orders for her team. It looks like only a small diversion - a quick trip to the Planet Jagen, to investigate reports of a possible First Sun artifact. She doesn't have to run an excavation, or even gain possession of the artifact. Just file a report. But it smells bad, says Gretchen's Hesht companion, Magdalena. David Parker, the Company pilot assigned to Anderssen's analysis team agrees. And they are so right. Gretchen, Magdalena, and Parker find themselves in very dangerous territory indeed. Because, unbeknownst to anyone at the Company, the Imperial Méxican Priesthood has decided to wage a war on Jagan - a war not of conquest or defense, but a "flowery war", planned and fomented for the purpose of blooding the Emperor's youngest son. Gretchen and her team are headed right into the middle of the battle. It may be a War of Flowers, but many people will die, and blood will flow in the streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Compiled by a leading scholar of Chinese poetry, Clouds Thick, Whereabouts Unknown is the first collection of Chan (Zen) poems to be situated within Chan thought and practice. Combined with exquisite paintings by Charles Chu, the anthology compellingly captures the ideological and literary nuances of works that were composed, paradoxically, to "say more by saying less," and creates an unparalleled experience for readers of all backgrounds. Clouds Thick, Whereabouts Unknown includes verse composed by monk-poets of the eighth to the seventeenth centuries. Their style ranges from the direct vernacular to the evocative and imagistic. Egan's faithful and elegant translations of poems by Han Shan, Guanxiu, and Qiji, among many others, do justice to their perceptions and insights, and his detailed notes and analyses unravel centuries of Chan metaphor and allusion. In these gems, monk-poets join mainstream ideas on poetic function to religious reflection and proselytizing, carving out a distinct genre that came to influence generations of poets, critics, and writers. The simplicity of Chan poetry belies its complex ideology and sophisticated language, elements Egan vividly explicates in his religious and literary critique. His interpretive strategies enable a richer understanding of Mahayana Buddhism, Chan philosophy, and the principles of Chinese poetry.