From an early age, Leyla Jagiella knew that she would be defined by two things: being Muslim and being trans. Struggling to negotiate these identities in her conservative, small hometown, she travelled to India and Pakistan, where her life was changed by her time among third-gender communities. Known as hijras in India, khwajasaras in Pakistan, these marginal communities have traditionally been politically and culturally important, respected for their supernatural powers to bless or curse, and often serving as eunuchs in Mughal India's palaces. But under British colonialism, the hijras were criminalised and persecuted, entrenching taboos they still battle today. Among the Eunuchs reveals vastly varied interpretations of religion, gender and sexuality, illuminating how deeply culture informs our experiences. As identity becomes an ideological battlefield, Jagiella complicates binaries and dogma with her rich personal reflections. Her fascinating journey speaks to all who find themselves juggling different kinds of belonging.

The history of Qing palace eunuchs is defined by a tension between the role eunuchs were meant to play and the life they intended to live. This study tells the story of how a complicated and much-maligned group of people struggled to insert a degree of agency into their lives. Rulers of the Qing dynasty were determined to ensure the eunuchs’ subservience and to limit their influence by imposing a management style based upon strict rules, corporal punishment, and collective responsibility. Few eunuchs wielded significant political power or lived in a lavish style during the Qing dynasty. Emasculation and employment in the palace placed eunuchs at the center of the empire, yet also subjected them to servile status and marginalization by society. Seeking more control over their lives, eunuchs serving the Qing repeatedly tested the boundaries of subservience to the emperor and the imperial court. This portrait of eunuch society reveals that Qing palace eunuchs operated within two parallel realms, one revolving around the emperor and the court by day and another among the eunuchs themselves by night where they recreated the social bonds—through drinking, gambling, and opium smoking—denied them by their palace service. Far from being the ideal servants, eunuchs proved to be a constant source of anxiety and labor challenges for the Qing court. For a long time eunuchs have simply been cast as villains in Chinese history. Inside the World of the Eunuch goes beyond this misleadingly one-dimensional depiction to show how eunuchs actually lived during the Qing dynasty. “This book is a thorough and responsible account of eunuch life during the Qing dynasty, which takes us deep inside the Forbidden City and introduces the often underclass families who provided servants to the Qing monarchs.” —R. Kent Guy, University of Washington “This is a unique study of Chinese eunuchs, in which Melissa Dale proves that they were a necessary and vital presence in the palace of the last dynasty in China. She explores all aspects of their life to the end of their existence, while avoiding the temptation to sensationalize them.” —Keith McMahon, University of Kansas

Eunuch and Emperor in the Great Age of Qing Rule offers a new interpretation of eunuchs and their connection to imperial rule in the first century and a half of the Qing dynasty (1644–1800). This period encompassed the reigns of three of China’s most important emperors, men who were deeply affected by the great eunuch corruption of the fallen Ming dynasty. In this groundbreaking and deeply researched book, the author explores how Qing emperors sought to prevent a return of the harmful excesses of eunuchs and how eunuchs flourished in the face of the restrictions imposed upon them. We meet powerful eunuchs who faithfully served, and in some cases ultimately betrayed, their emperors. We also meet ordinary eunuchs whose lives, punctuated by dramas large and small, provide a fascinating perspective on the Qing palace world.

The Perfect Servant reevaluates the place of eunuchs in Byzantium. Kathryn Ringrose uses the modern concept of gender as a social construct to identify eunuchs as a distinct gender and to illustrate how gender was defined in the Byzantine world. At the same time she explores the changing role of the eunuch in Byzantium from 600 to 1100. Accepted for generations as a legitimate and functional part of Byzantine civilization, eunuchs were prominent in both the imperial court and the church. They were distinctive in physical appearance, dress, and manner and were considered uniquely suited for important roles in Byzantine life. Transcending conventional notions of male and female, eunuchs lived outside of normal patterns of procreation and inheritance and were assigned a unique capacity for mediating across social and spiritual boundaries. This allowed them to perform tasks from which prominent men and women were constrained, making them, in essence, perfect servants. Written with precision and meticulously researched, The Perfect Servant will immediately take its place as a major study on Byzantium and the history of gender.

For much of Chinese history, the eunuch stood out as an exceptional figure at the margins of gender categories. Amid the disintegration of the Qing Empire, men and women in China began to understand their differences in the language of modern science. In After Eunuchs, Howard Chiang traces the genealogy of sexual knowledge from the demise of eunuchism to the emergence of transsexuality, showing the centrality of new epistemic structures to the formation of Chinese modernity. From anticastration discourses in the late Qing era to sex-reassignment surgeries in Taiwan in the 1950s and queer movements in the 1980s and 1990s, After Eunuchs explores the ways the introduction of Western biomedical sciences transformed normative meanings of gender, sexuality, and the body in China. Chiang investigates how competing definitions of sex circulated in science, medicine, vernacular culture, and the periodical press, bringing to light a rich and vibrant discourse of sex change in the first half of the twentieth century. He focuses on the stories of gender and sexual minorities as well as a large supporting cast of doctors, scientists, philosophers, educators, reformers, journalists, and tabloid writers, as they debated the questions of political sovereignty, national belonging, cultural authenticity, scientific modernity, human difference, and the power and authority of truths about sex. Theoretically sophisticated and far-reaching, After Eunuchs is an innovative contribution to the history and philosophy of science and queer and Sinophone studies.

In this extemely funnya dn fascinating book, Zia Jaffrey goes on a journey to find out just who the hijras are, why the subject is taboo and why their historyhas never been recorded. With the help of journalists, police commisioners, detectives and doctors, she delves into the mysterious world of the eunuchs and traces their tradition through layers of Hindu, Muslim and British history, and finally through talking to the Eunuchs themselves.

The articles compiled in Ottoman War & Peace. Studies in Honor of Virginia H. Aksan, honor the prolific career of a foremost scholar of the Ottoman Empire, and engage in redefining the boundaries of Ottoman historiography. Blending micro and macro approaches, the volume covers topics from the sixteenth to twentieth centuries related to the Ottoman military and warfare, biography and intellectual history, and inter-imperial and cross-cultural relations. Through these themes, this volume seeks to bring out and examine the institutional and socio-political complexity of the Ottoman Empire and its peoples. Contributors are Eleazar Birnbaum, Maurits van den Boogert, Palmira Brummett, Frank Castiglione, Linda Darling, Caroline Finkel, Molly Greene, Jane Hathaway, Colin Heywood, Douglas Howard, Christine Isom-Verhaaren, Dina Rizk Khoury, Ethan L. Menchinger, Victor Ostapchuk, Leslie Peirce, James A. Reilly, Will Smiley, Mark Stein, Kahraman Şakul, Veysel Şimşek, Feryal Tansuğ, Baki Tezcan, Fatih Yeşil, Aysel Yıldız.