With an introduction by Pulitzer Prize-winning poet Yusef Komunyakaa Named a finalist for the 2014 Lambda Literary Award in LGBT Nonfiction! Included in the 2014 Over the Rainbow list Selected by Publishers Weekly as a Pick of the Week (July 1st, 2013)! Selected by The Airship/Black Balloon Publishing as a Best Book of 2013 "This collection is wide-ranging, moving from the Caribbean (Jamaica in particular) to Cambridge, England, and from poetry to sex to discrimination." --Library Journal (BEA Editors' Picks feature) "A profound compassion for racial and sexual minorities, the oppressed, and the colonized, informs [Glave's] searing, beautifully evocative collection of essays...He captures the languor and seductiveness of Jamaica...A graceful and original stylist, Glave highlights the marginalized--calling on the descendants of people who toiled for the Empire as slaves and colonial subjects to never forget their past, and, in effect, to those who profit from that past to acknowledge their complicity. Ultimately, his work is critical, yet filled with generosity and compassion." --Publishers Weekly (starred review) "Thomas Glave surely is one of the bravest of contemporary authors...He is a fearless truth-teller whose essays in Among the Bloodpeople are fully, unhesitatingly engaged with his and our world." --New York Journal of Books "This is a collection that will leave you with chills; you will return to it not only for its sheer beauty, but also for its raw honesty, pain, and passion." --Lambda Literary Report "Glave writes beautifully...his...voice deserves our attention." --The Gay & Lesbian Review "A wonderful anthology, interspersing personal essays with more academic-leaning articles." --CCLaP "Glave remarks on the state of an island as he sees it, and of a people whose legacies bear out in astonishing ways, employing prose that soothes while its subject matter sears genteel sensibilities." --Caribbean Beat "Glave crosses boundaries of genre and community, speaking with extraordinary candor and vulnerability variously as the American son of immigrants, as a Jamaican, as a professor, as a queer boy from the Bronx...What unifies these identities and these essays is the ferocity of Glave's voice, his sentences that can feel like living, untamed things." --Towleroad: A Site with Homosexual Tendencies "I didn't know [homosexuals in Jamaica] were disemboweled with machetes. And I didn't consider one could be poetic about fear and anger and isolation. But the touchingly phrased sentences don’t soften the impact of reading about murder and political corruption. Instead, it eats at you because it makes you attentive to every word, feel the pauses as Glave takes a breath and speaks with the pulse of his heartbeat." --Reeling and Writhing and Fainting in Coils "With Among the Bloodpeople, [Glave] has given us a book as beautiful as it is necessary." --Next Magazine "After stunning readers with his story collections Whose Song? and The Torturer's Wife, the O. Henry- and multiple Lammy-winner now returns to nonfiction in Among the Bloodpeople: Politics and Flesh." --Band of Thebes "Glave's texts examine themselves, change course, and raise questions about their own assertions. Glave's hatred of oppression is balanced by his love of writing." --Ithaca.com Thomas Glave has been admired for his unique style and exploration of taboo, politically volatile topics. The award-winning author's new collection, Among the Bloodpeople, contains all the power and daring of his earlier writing but ventures even further into the political, the personal, and the secret. Each essay in the volume reveals a passionate commitment to social justice and human truth. Whether confronting Jamaica's prime minister on antigay bigotry, contemplating the risks and seductions of "outlawed" sex, exploring a world of octopuses and men performing somersaults in the Caribbean Sea, or challenging repressive tactics employed at the University of Cambridge, Glave expresses the observations of a global citizen with the voice of a poet.

The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time. The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors' work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem "Saturday Night in San Juan with the Right Sailors" to the poignant narrative "We Came All the Way from Cuba So You Could Dress Like This?" to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book. Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave, Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo, Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott, Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams

Essays regarding prejudice and inhumanity, by a gay Jamaican American.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

The influence of intellectuals is not only greater than in previous eras but also takes a very different form from that envisioned by those like Machiavelli and others who have wanted to directly influence rulers. It has not been by shaping the opinions or directing the actions of the holders of power that modern intellectuals have most influenced the course of events, but by shaping public opinion in ways that affect the actions of power holders in democratic societies, whether or not those power holders accept the general vision or the particular policies favored by intellectuals. Even government leaders with disdain or contempt for intellectuals have had to bend to the climate of opinion shaped by those intellectuals. Intellectuals and Society not only examines the track record of intellectuals in the things they have advocated but also analyzes the incentives and constraints under which their views and visions have emerged. One of the most surprising aspects of this study is how often intellectuals have been proved not only wrong, but grossly and disastrously wrong in their prescriptions for the ills of society -- and how little their views have changed in response to empirical evidence of the disasters entailed by those views.

Drawing on both personal experience and critical theory, Carole Boyce Davies illuminates the dynamic complexity of Caribbean culture and traces its migratory patterns throughout the Americas. Both a memoir and a scholarly study, Caribbean Spaces: Escapes from Twilight Zones explores the multivalent meanings of Caribbean space and community in a cross-cultural and transdisciplinary perspective. From her childhood in Trinidad and Tobago to life and work in communities and universities in Nigeria, Brazil, England, and the United States, Carole Boyce Davies portrays a rich and fluid set of personal experiences. She reflects on these movements to understand the interrelated dynamics of race, gender, and sexuality embedded in Caribbean spaces, as well as many Caribbean people's traumatic and transformative stories of displacement, migration, exile, and sometimes return. Ultimately, Boyce Davies reestablishes the connections between theory and practice, intellectual work and activism, and personal and private space.

This unique three-part novel assumes that, regardless of what Americans learn in school, the Southeast was not a barren wilderness when the English arrived at Jamestown. It was full of Native Americans and of other Europeans who were there for various reasons. Based on extensive research into the racial mixing that occurred in the early years of southeastern settlement, this provocative multi-generation story shows that people did not simply vanish, but that many were absorbed into the new communities that gradually formed throughout the southeast, becoming ¿white¿ whenever their complexions allowed. The inability to accept their true heritages illustrates the high price many of these people paid for their way of life. Diego Martin arrives in 1567 in the American Southeast¿the region the Spaniards call La Florida¿as a hog drover with a Spanish exploring party. The leader of the expedition turns against him and abandons him to the wilderness, where friendly natives rescue him. Daniel Hunter, a Quaker from Philadelphia, sets up a school among these ¿disadvantaged¿ mountain people and falls in love with a Martin daughter. Later, Daniel¿s descendants are living in the same town, though with little awareness of their ancestral past. The Martin family has split in two, the merchants in town denying any relationship to their racially mixed cousins on Mulatto Bald. A young woman from town, Galicia, falls in love with a young man from the bald, Will, not realizing that he is her cousin. They marry, have a daughter, and move to a new industrial center, becoming prominent citizens. When Will¿s son from a teenage liaison appears at his door, he invites him in, unwittingly setting the stage for a forbidden love between his unacknowledged son and his cherished daughter, neither of whom realizes that they are half-siblings. This is a novel you will not be able to put down without thinking and wondering ¿where will it take me next.¿