In its nuanced examination of a wide variety of Victorian theories of mind, including physiognomy, physiology, associationism, and cognitive philosophies, 'Amnesiac Selves' reveals a portrait of the interaction between psychology and the novel in the years 1810-1870.

"The book traces the early history of the self-help genre and the literary depiction of ambition in Victorian British fiction. Stories of hardworking characters who bring themselves out of rags to riches abound in the Victorian era. In chapters featuring the works of novelists, the author demonstrates that Victorian fiction dramatized ambition and problematized it as well"--

From the author of Elsewhere and the Birthright trilogy, Gabrielle Zevin's Memoirs of a Teenage Amnesiac is an imaginative YA novel all about love and second chances. If Naomi had picked tails, she would have won the coin toss. She wouldn't have had to go back for the yearbook camera, and she wouldn't have hit her head on the steps. She wouldn't have woken up in an ambulance with amnesia. She certainly would have remembered her boyfriend, Ace. She might even have remembered why she fell in love with him in the first place. She would understand why her best friend, Will, keeps calling her "Chief." She'd get all his inside jokes, and maybe he wouldn't be so frustrated with her for forgetting things she can't possibly remember. She'd know about her mom's new family. She'd know about her dad's fiancée. She wouldn't have to spend her junior year relearning all the French she supposedly knew already. She never would have met James, the boy with the questionable past and the even fuzzier future, who tells her he once wanted to kiss her. She wouldn't have wanted to kiss him back. But Naomi picked heads. Memoirs of a Teenage Amnesiac is a 2008 Bank Street - Best Children's Book of the Year.

The nineteenth century witnessed unprecedented expansion in the reading public and an explosive growth in the number of books and newspapers produced to meet its demands. These specially commissioned essays examine not only the full range and variety of texts that entertained and informed the Victorians, but also the boundaries of Victorian literature: the links and overlap with Romanticism in the 1830s, and the roots of modernism in the years leading up to the First World War. The Companion demonstrates how science, medicine and theology influenced creative writing and emphasizes the importance of the visual in painting, book illustration and in technological innovations from the kaleidoscope to the cinema. Essays also chart the complex and fruitful interchanges with writers in America, Europe and the Empire, highlighting the geographical expansion of literature in English. This Companion brings together the most important aspects of this prolific and popular period of English literature.

Still Life: Suspended Development in the Victorian Novel rethinks the nineteenth-century aesthetics of agency through the Victorian novel's fascination with states of reverie, trance, and sleep. These states challenge contemporary scientific and philosophical accounts of the perfectibility of the self, which privileged reflective self-awareness. In dialogue with the field of literature and science studies and affect studies, this book shows how Victorian writers used narrative form to respond to the analytical practices and knowledge production of those other disciplines. Drawing upon canonical texts--by Charlotte Brontë, George Eliot, George Meredith, and Thomas Hardy--Still Life contends that depictions of non-purposive perceptual experience suspend the processes of self-cultivation (Bildung) central to Victorian aesthetics, science, psychology, and political theory, as well as most critical accounts of the novel form. Departing from the values of individual cultivation and moral revelation associated with the genre, these writers offer an affective framework for understanding the subtly non-instrumental powers of narrative. Victorian novels ostensibly working within the parameters of the Bildungsroman are suspended by moments of "still life": a decentered lyricism associated with states of diminished consciousness. They use this style to narrate what should be unnarratable: experiences not dependent on reflective consciousness, which express a distinctive ambivalence toward dominant developmental frameworks of individual self-culture.

Twilight Histories explores how Gaskell, Thackeray, Dickens, Eliot and Hardy mingled nostalgia with historical fiction. Nostalgia was homesickness before it was a kind of memory, making it a fitting image for the displacements in time and place brought by Victorian modernity.