A memoir that addresses ageing, memory, time and a life in the 20th century, by one of our greatest writers, Penelope Lively. 'This is not quite a memoir. Rather, it is the view from old age. And a view of old age itself, this place at which we arrive with a certain surprise - ambushed, or so it can seem. One of the few advantages of age is that you can report on it with a certain authority; you are a native now, and know what goes on here.' In this charming but powerful memoir, Penelope Lively reports from beyond the horizon of old age. She describes what old age feels like for those who have arrived there and considers the implications of this new demographic. She looks at the context of a life and times, the history and archaeology that is actually being made as we live out our lives in real time, in her case World War II; post war penny-pinching Britain; the Suez crisis; the Cold War and up to the present day. She examines the tricks and truths of memory. She looks back over a lifetime of reading and writing. And finally she looks at her identifying cargo of possessions - two ammonites, a cat, a pair of American ducks and a leaping fish sherd, amongst others. This is an elegant, moving and deeply enjoyable memoir by one of our most loved writers.

"Sharp, unsentimental and ruefully funny. A fascinating portrait not only of Lively but of the times through which she has lived" -- Daily Telegraph (London) Rare personal reflections from “one of our most talented writers” (The New York Times Book Review), Booker Prize winner Penelope Lively At age eighty, Penelope Lively wrote this powerful and compelling 'view from old age', reporting back on what she found. There are meditations on what it is like to be old as well as on how memory shapes us. There are intriguing examinations of the key personal as well as historical moments she has lived through and her thoughts on her own bookishness - both as reader and writer. Lastly, she turns to six treasured possessions to speak eloquently about who she is and where she's been - fragments of memories from a life well lived.

“A powerful, moving and beautifully wrought novel about the ways in which lives are molded by personal memory and the collective past.” —The Boston Globe Winner of the Man Booker Prize Elderly, uncompromising Claudia Hampton lies in a London hospital bed with memories of life fluttering through her fading consciousness. An author of popular history, Claudia proclaims she’s carrying out her last project: a history of the world. This history turns out to be a mosaic of her life, her own story tangled with those of her brother, her lover and father of her daughter, and the center of her life, Tom, her one great love found and lost in war-torn Egypt. Always the independent woman, often with contentious relationships, Claudia’s personal history is complex and fascinating. As people visit Claudia, they shake and twist the mosaic, changing speed, movement, and voice, to reveal themselves and Claudia’s impact on their world. “Emotionally, Moon Tiger is kaleidoscopic, deeply satisfying. The all too brief encounter between Claudia and Tom will surely rate as one of the most memorable of contemporary fictional affairs. This is one of the best novels I have read for years.” —The London Sunday Telegraph “It pulls us in; it engages us and saddens us. It is also unexpectedly funny . . . It leaves its traces in the air long after you’ve put it away.” —The New York Times Book Review “One of the very best Booker winners . . . it asks hard questions about memory and history and personal legacy; it’s stylistically demanding and inventive . . . a wonderful book.” —The Guardian

A poignant and bittersweet memoir from the distinguished British fiction writer Penelope Lively, Oleander, Jacaranda evokes the author's unusual childhood growing up English in Egypt during the 1930s and 1940s. Filled with the birds, animals and planets of the Nile landscape that the author knew as a child, Oleander, Jacaranda follows the young Penelope from a visit to a fellaheen village to an afternoon at the elegant Gezira Sporting Club, one milieu as exotic to her as the other. Lively's memoir offers us the rare opportunity to accompany a gifted writer on a journey of exploration into the mysterious world of her own childhood.

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.

From the Booker Prize winner and national bestselling author, reflections on gardening, art, literature, and life Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art, literature, and gardening in this philosophical and poetic memoir. From the courtyards of her childhood home in Cairo to a family cottage in Somerset, to her own gardens in Oxford and London, Lively conducts an expert tour, taking us from Eden to Sissinghurst and into her own backyard, traversing the lives of writers like Virginia Woolf and Philip Larkin while imparting her own sly and spare wisdom. "Her body of work proves that certain themes never go out of fashion," writes the New York Times Book Review, as true of this beautiful volume as of the rest of the Lively canon. Now in her eighty-fourth year, Lively muses, "To garden is to elide past, present, and future; it is a defiance of time."

On a day like any other, Adam receives a call from his daughter's school. Miriam, his brilliant fifteen-year-old, has collapsed and stopped breathing; her heart has inexplicably stopped.