A novel depicting the intrigues of a provincial town.

ÊShe was quite ready to forgive and forget, but the unbending esteem in which she was held by the circle in which she moved did not allow of such a course. Madame Dellion had made it clear to her that any such weakness on her part would be judged unfavourably; all the drawing-rooms in the place were unanimous upon that score. There was but one opinion among the tradespeople: Madame Bergeret must return to her mother. In this way did they uphold the proprieties and, at the same time, rid themselves of a thoughtless, common, compromising person, whose vulgarity was apparent even to the vulgar, and who was a burden on everybody about her. They made her believe there was something heroic in her conduct. ÒI have the greatest admiration for you, my child,Ó said old Madame Dutilleul from the depths of her easy chair, she who had survived four husbands, and was a truly terrible woman. People suspected her of everything, except of ever having loved, and in her old age she was honoured and respected by all. Madame Bergeret was delighted at having inspired sympathy in Madame Dellion and admiration in Madame Dutilleul, and still she could not finally make up her mind to go, for she was of a homely disposition and accustomed to regular habits and quite content to live on in idleness and deceit. Having grasped this fact, M. Bergeret redoubled his efforts to ensure his deliverance. He stoutly upheld Marie, the servant, who kept every one in the house in a state of wretchedness and trepidation, was suspected of harbouring thieves and cut-throats in her kitchen, and only brought herself into prominence by the catastrophes she caused. Four days before the time appointed for Madame BergeretÕs departure, this girl, who was drunk as usual, upset a lighted lamp in her mistressÕs room and set fire to the blue chintz bed-curtains. Madame Bergeret was spending the day with her friend, Madame Lacarelle. She returned and, amid the dreadful stillness of the house, beheld on entering her room the evidences of the disaster. She called and called in vain for her stony-hearted husband and her besotted maid, then stood gazing at the smoke-blackened ceiling and the dismal ravages of the fire. This commonplace accident assumed in her eyes a mystic significance that frightened her. But presently as the candle began to flicker she lay down, tired out and very cold, upon her bed under the skeleton of the charred canopy whose black shreds fluttered like the wings of a bat. The next morning, on waking, she wept for her blue curtains, the souvenir and symbol of her youth; bare-footed, with dishevelled hair, smothered with blacks and clad only in her nightdress, she ran desperately about the rooms, crying and moaning. M. Bergeret took no notice of her; for him she had ceased to exist. That evening, with the help of the girl Marie, she drew her bed into the middle of the dreary room. But now she realized that this room could never again be a resting-place for her, and that she must leave the home where for fifteen years she had fulfilled the duties of daily life. Moreover, the ingenious Bergeret, having taken rooms for his daughter Pauline and himself in a little house in the Place Saint-Exup�re, was busy moving out and moving in.

Reproduction of the original.

"The Amethyst Ring" by Anatole France (translated by Bérengère Drillien). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.