Strait-laced, pre-civil rights America wasn't ready for Eartha Kitt. Waiting for others to be ready was never her style. in America's Mistress John L. Williams captures the person behind the myth in this engaging biography but also race relations in Twentieth-century America. From humble roots on a South Carolina cotton plantation, the multilingual, possibly multi-racial chanteuse emerged seemingly from nowhere to seduce the nation and redefine cosmopolitan glamour. Blending intellect, self-awareness and unprecedented sex appeal, she was a Technicolor presence in a black-and-white world. But the key to her allure was always her mystery, and her three not-entirely-consistent autobiographies raise more questions than they answer about who she really was--whether singing, dancing, acting or drawing headlines for her romantic dalliances and political activism. Drawing on extensive original research and interviews with the people who knew her best, Williams delivers a comprehensive, compassionate and thought-provoking record of a life that defied stereotypes, shattered boundaries, yet seemed to fall short of its potential in the end. America's Mistress is ultimately a celebration of a remarkable American life that paved the way for black entertainers from Belafonte to Beyoncé. With objectivity and thoroughness, John L. Williams provides sought-after answers to tantalizing and elusive questions.

Though her work is a staple of anthologies of American poetry, Anne Bradstreet has never before been the subject of an accessible, full-scale biography for a general audience. Anne Bradstreet is known for her poem, To My Dear and Loving Husband, among others, and through John Berryman's Homage to Mistress Bradstreet. With her first collection, The Tenth Muse Lately Sprung Up in America, she became the first published poet, male or female, of the New World. Many New England towns were founded and settled by Anne Bradstreet's family or their close associates -- characters who appear in these pages.

“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly

Set in Nazi-occupied Paris during World War II, The Mistress is an enthralling tale of jealousy, love, betrayal, and one woman's cunning revenge. The characters -- Dr. Emile Bastien, a physician who treats Parisians and Germans alike from his office on rue de Maubeuge; Simone, his nurse and illicit lover; and Bastien's sour wife and two scheming children, tucked away on a French country estate -- all share a deep and suspicious desire. As Bastien's mistress, Simone knows all of his most dangerous secrets -- except the one that he and his family are trying desperately to keep from her. But clever Simone, always one step ahead, manages to conceal her greed while weaving a web of deception that will ensnare those who have turned against her and ensure her singular reward. The Mistress is darkly atmospheric and erotically charged -- a tour-de-force with stunning twists and turns that will haunt readers long after its secrets have been revealed.

As a subtropical city and the southernmost metropolitan area in the United States, Miami has always lured both visitors and migrants from throughout the Americas. During its first half-century they came primarily from the American North, then from the Latin South, and eventually from across the hemisphere and beyond. But if Miami's seductive appeal is one half of the story, the other half is that few people have ever ended up staying there. Today, by many measures, Miami is one of the most transient of all major metropolitan areas in America. Miami: Mistress of the Americas tells the story of an urban transformation, perfectly timed to coincide with the surging forces of globalization. Author Jan Nijman connects different historical episodes and geographical regions to illustrate how transience has shaped the city to the present day, from the migrant labor camps in south Miami-Dade to the affluent gated communities along Biscayne Bay. Transience offers opportunities, connecting business flows and creating an ethnically hybrid workforce, and also poses challenges: high mobility and population turnover impede identification of Miami as home. According to Nijman, Miami is "mistress of the Americas" because of its cultural influence and economic dominance at the nexus of north and south. Nijman likens the city itself to a hotel; people check in, go about their business or pleasure, then check out. Locals, born and raised in the area, make up only one-fifth of the population. Exiles, those who have come to Miami as a temporary haven due to political or economic necessity, are typically yearning to return to their homeland. Mobiles, the affluent and well educated, who reside in Miami's most prized neighborhoods, are constantly on the move. As a social laboratory in urban change and human relationships in a high-speed, high-mobility era, Miami raises important questions about identity, citizenship, place-attachment, transnationalism, and cosmopolitanism. As such, it offers an intriguing window onto our global urban future.

In Empire's Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography—a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a means to explore the contours of empire as experienced on the scale of personal relationships. Along the way, Gonzalez fills in the archival gaps of Cooper's life with speculative fictional interludes that both unsettle the authority of “official” archives and dislodge the established one-dimensional characterizations of her. By presenting Cooper as a complex historical subject who lived at the crossroads of American colonialism in the Philippines, Gonzalez demonstrates how intimacy and love are woven into the infrastructure of empire.

Menolly, Camille, and Delilah are the D'Artigo Sisters-half-human, half-Faerie operatives for the Otherworld Intelligence Agency. Their latest assignment is to root out the secret society responsible for unleashing chaos magic against the city-and to stop a demon from devouring Delilah's soul.