This series collects the complete scripts of 100 selected, previously unpublished plays by 19th-century American playwrights. Volume 8 features "The Great Diamond Robbery," by Edward M Alfriend and A C Wheeler; "A Royal Slave," by Clarence Bennett; "From Rags to Riches," by Charles A Taylor; "No Mother to Guide Her," by Lillian Mortimer; and "Billy the Kid," by Walter Woods.

Frontier dramas were among the most popular and successful of early-twentieth-century Broadway type plays. The long runs of contemporary dramas not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace.

This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.