This book is a biographical study of three American statesmen, concentrating on the development of their distinct attitudes and political programs with respect to the problem of Europe in American foreign policy: Roosevelt's partial internationalism, aiming at the retirement of Europe from world politics while avoiding American entanglement; Kennan's partial isolationism, aspiring to restore Europe's centrality and autonomy through temporary American engagement; and Acheson's accommodating interventionism, establishing the United States as a permanent power in Europe at the behest of European and American interests. The purpose of the book is to explain how and why they arrived at very different solutions to the problem of internecine conflict in Europe, and to show the continuing relevance of their ideas. Three learned and elegantly written portraits are set against the background of the dramatic events and foreign policy controversies of the twentieth century.

Antologi. Indeholder en undersøgelse af de transatlantiske forbindelser siden terrorangrebene d. 11. september 2001 i USA samt den efterfølgende krig i Irak. Bogen søger at identificere de grupper, som skaber politiken og offentlighedens opfattelse af relationerne på begge sideraf Atlanten. Ligeledes forsøger den at spore oprindelsen til den opståede splid efter 11.september, samt at belyse de nuværende og fremtidige udfordringer til de bilaterale relationer og forholdet generelt mellem USA og Europa. Perspektiverne belyses ved fem europæiske bidragydere med fokus primært på England, Frankrig, Tyskland, Italien og Rusland og suppleret med tre amerikanske bidragydere.

Robert Hughes begins where American art itself began, with the Native Americans and the first Spanish invaders in the Southwest; he ends with the art of today. In between, in a scholarly text that crackles with wit, intelligence and insight, he tells the story of how American art developed. Hughes investigates the changing tastes of the American public; he explores the effects on art of America's landscape of unparalleled variety and richness; he examines the impact of the melting-pot of cultures that America has always been. Most of all he concentrates on the paintings and art objects themselves and on the men and women - from Winslow Homer and Thomas Eakins to Edward Hopper and Georgia O'Keeffe, from Arthur Dove and George Bellows to Jackson Pollock and Mark Rothko -awho created them. This is an uncompromising and refreshingly opinionated exploration of America, told through the lens of its art.

Experts draw on Robert Jervis' work to examine recent tensions between Europe and the US over such issues as transatlantic security and policies towards terrorism, against the background of perceptions and misperceptions in transatlantic relations.

A revealing reassessment of the American government's position towards Indonesia's struggle for independence.

Rifkin delves deeply into the history of Europe--and eventually America--to show how Europeans have succeeded in slowly and steadily developing a more adaptive, sensible way of working and living.

Exploring the visions of the end of the Cold War that have been put forth since its inception until its actual ending, this volume brings to the fore the reflections, programmes, and strategies that were intended to call into question the bipolar system and replace it with alternative approaches or concepts. These visions were associated not only with prominent individuals, organized groups and civil societies, but were also connected to specific historical processes or events. They ranged from actual, thoroughly conceived programmes, to more blurred, utopian aspirations -- or simply the belief that the Cold War had already, in effect, come to an end. Such visions reveal much about the contexts in which they were developed and shed light on crucial moments and phases of the Cold War.